Pirates Caribbean Stranger Tides Full Movie
Pirates of the Caribbean: On Stranger Tides (2011)
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Directed by
| Rob Marshall |
Writing Credits(WGA)
| Ted Elliott | .. | (screenplay) & |
| Terry Rossio | .. | (screenplay) |
| Ted Elliott | .. | (screen story) & |
| Terry Rossio | .. | (screen story) |
| Ted Elliott | .. | (characters) & |
| Terry Rossio | .. | (characters) and |
| Stuart Beattie | .. | (characters) and |
| Jay Wolpert | .. | (characters) |
| Tim Powers | .. | (novel) (suggestion) |
Cast (in credits order) complete, awaiting verification
| Johnny Depp | .. | Jack Sparrow | |
| Penélope Cruz | .. | Angelica | |
| Geoffrey Rush | .. | Barbossa | |
| Ian McShane | .. | Blackbeard | |
| Kevin McNally | .. | Gibbs | |
| Sam Claflin | .. | Philip | |
| Astrid Bergès-Frisbey | .. | Syrena (Mermaid) | |
| Stephen Graham | .. | Scrum | |
| Keith Richards | .. | Captain Teague | |
| Richard Griffiths | .. | King George | |
| Greg Ellis | .. | Groves | |
| Damian O'Hare | .. | Gillette | |
| Óscar Jaenada | .. | The Spaniard | |
| Anton Lesser | .. | Lord John Carteret | |
| Roger Allam | .. | Prime Minister Henry Pelham | |
| Judi Dench | .. | Society Lady | |
| Christopher Fairbank | .. | Ezekiel | |
| Paul Bazely | .. | Salaman | |
| Bronson Webb | .. | Cook | |
| Richard Thomson | .. | Derrick | |
| Yuki Matsuzaki | .. | Garheng | |
| Robbie Kay | .. | Cabin Boy | |
| Steve Evets | .. | Purser | |
| Ian Mercer | .. | Quartermaster | |
| Deobia Oparei | .. | Gunner | |
| Gemma Ward | .. | Tamara - First Mermaid | |
| Sebastian Armesto | .. | King Ferdinand | |
| Juan Carlos Vellido | .. | Spanish Sea Captain | |
| Tristan Laurence Perez | .. | Spanish Fisherman | |
| Norberto Morán | .. | Spanish Castaway (as Norberto Moran) | |
| Gerard Monaco | .. | Spanish Officer | |
| Tyrone Lopez | .. | Spanish Soldier | |
| Luke Roberts | .. | Captain of the Guard | |
| Daniel Ings | .. | Guard | |
| Emilia Jones | .. | English Girl | |
| Patrick Kennedy | .. | English Father | |
| Jody Halse | .. | Jailor | |
| Clifford Rose | .. | Bailiff | |
| Paul Hunter | .. | Foreman | |
| Jorgelina Guadalupe Airaldi | .. | Mermaid | |
| Brea Berrett | .. | Mermaid | |
| Toni Busker | .. | Mermaid | |
| Sanya Hughes | .. | Mermaid | |
| Daphne Joy | .. | Mermaid | |
| Antoinette Kalaj | .. | Mermaid (as Antoinette Nikprelaj) | |
| Derek Mears | .. | Master-At-Arms | |
| Danny Le Boyer | .. | Yeoman | |
| Kitt Barrie | .. | Courtroom Wench | |
| Steve Morphew | .. | Courtroom Heckler (as Stephen Morphew) | |
| Alan J. Utley-Moore | .. | Justice Smith (as Alan Utley-Moore) | |
| Rest of cast listed alphabetically: | |||
| Fileena Bahris | .. | Mermaid (uncredited) | |
| Gintare Beinoraviciute | .. | Villager (uncredited) | |
| Nicola Bertram | .. | English Woman (uncredited) | |
| CJ Brady | .. | British Sailor (uncredited) | |
| Robert Clayton | .. | Hero Father (uncredited) | |
| Bern Collaço | .. | Spanish Commanding Officer (uncredited) | |
| Andrew Crayford | .. | Spanish Officer (uncredited) | |
| Elliott Crossley | .. | London Extra (uncredited) | |
| Jason Curle | .. | Spanish Pirate (uncredited) | |
| Kristofer Dayne | .. | Queen Anne's Pirate (uncredited) | |
| Katherine Denkinson | .. | Whore (uncredited) | |
| Dennis Farrell | .. | Queen Anne's Revenge Pirate (uncredited) | |
| Nichola Fynn | .. | Flower Seller (uncredited) | |
| Sean Francis George | .. | Spanish Soldier (uncredited) | |
| Bobby Holland Hanton | .. | English Guard (uncredited) | |
| Randy Herman | .. | Spanish Soldier (uncredited) | |
| Harley Jay | .. | Junior British officer (uncredited) | |
| Aaron King | .. | Juror (uncredited) | |
| Matt Lasky | .. | Queen Anne's Pirate (uncredited) | |
| LeJon | .. | Queen Anne's Pirate (uncredited) | |
| Luis E. Lopez | .. | English pedestrian (uncredited) | |
| Teresa Mahoney | .. | Hero Mother (uncredited) | |
| Edward Mitchell | .. | Young Spanish Officer (uncredited) | |
| Kelly Mumme | .. | Mermaid (uncredited) | |
| Trevor Thomas Olwig | .. | British Sailor (uncredited) | |
| Salomon Passariello | .. | Queen Anne's Pirate (uncredited) | |
| Siegfried Peters | .. | British Sailor (uncredited) | |
| David Pinkus | .. | London Town Crier (uncredited) | |
| Jean Pierre Prats | .. | Spanish Soldier (uncredited) | |
| Neal Radia | .. | Queen Ann's Pirate (uncredited) | |
| Caroline copp Randall | .. | English Woman (uncredited) | |
| Elisabeth Roberts | .. | English Woman (uncredited) | |
| Steve Saunders | .. | Pewter Seller (uncredited) | |
| Santi Scinelli | .. | Spanish Officer (uncredited) | |
| Kevin Senn | .. | Queen Anne's Pirate (uncredited) | |
| Kristen StephensonPino | .. | Mermaid / body (uncredited) | |
| Richard Stoker | .. | Pirate (uncredited) | |
| Robert Stone | .. | Paddy Wagon Gaoler (uncredited) | |
| Sean Talo | .. | Spanish Soldier (uncredited) | |
| Harvey Walsh | .. | English Boy (uncredited) | |
| Loretta Walsh | .. | English Girl (uncredited) | |
| Hannah Walters | .. | Woman at The Captain's Daughter (uncredited) | |
| Claira Watson Parr | .. | Maid (uncredited) | |
| Chuck Williams | .. | Queen Anne's Revenge Pirate (uncredited) | |
| Taylor Young | .. | Providence Sailor (uncredited) | |
Produced by
| Jerry Bruckheimer | .. | producer |
| John DeLuca | .. | executive producer |
| Ted Elliott | .. | executive producer |
| Chad Oman | .. | executive producer |
| Melissa Reid | .. | associate producer |
| Terry Rossio | .. | executive producer |
| Pat Sandston | .. | associate producer |
| Mike Stenson | .. | executive producer |
| Barry H. Waldman | .. | executive producer (as Barry Waldman) |
Music by
| Hans Zimmer |
Cinematography by
| Dariusz Wolski | .. | director of photography |
Film Editing by
| David Brenner |
| Wyatt Smith |
Casting By
| Lucy Bevan |
| Kathy Driscoll |
| Francine Maisler |
Production Design by
| John Myhre |
Art Direction by
| Virginie Bourdin | ||
| Tomas Voth | .. | supervising art director |
Set Decoration by
| Gordon Sim |
Costume Design by
| Massimiliano Amicucci | .. | (hats) |
| Penny Rose |
Makeup Department
| Natasha Allegro | .. | hair stylist (as Natasha Davies Allegro) |
| Karen Asano-Myers | .. | personal hair stylist: Johnny Depp (as Karen Asano Myers) |
| Kim Ayers | .. | additional makeup artist |
| Inma Azorin | .. | crowd hair stylist |
| Joe Badiali | .. | makeup effects technician |
| Vivian Baker | .. | makeup artist |
| Jason Barnett | .. | prosthetics department: Joel Harlow Designs |
| Chantal Boom'la | .. | makeup artist |
| Paul Boyce | .. | special makeup effects artist |
| Tina Brown | .. | makeup artist day player |
| Belinda Bryant | .. | makeup artist |
| Sophia Burnage | .. | makeup artist: dailies |
| Steve Buscaino | .. | makeup artist |
| Amy Byrne | .. | makeup artist: UK |
| Barbara Cantu | .. | hair stylist |
| Kimberly Carlson | .. | hair stylist |
| Anna Cash | .. | crowd makeup: dailies |
| Leo Corey Castellano | .. | prosthetics makeup artist (as Corey Castellano) |
| DJ Colbert-Worley | .. | makeup artist (as D.J. Colbert) |
| Louise Coles | .. | daily makeup artist: crowd makeup artist |
| Linda Corr | .. | hair stylist: additional Hairdresser |
| Andrea Cracknell | .. | hair stylist |
| Paulette Crammond | .. | hair stylist |
| Catherine Davies | .. | hair stylist |
| Leslie Devlin | .. | makeup artist |
| Suzanne Diaz | .. | makeup artist |
| Mahealani Diego | .. | makeup artist |
| Tamsin Dorling Barbosa | .. | hairdresser (as Tamsin Barbosa) |
| Sarah Downes | .. | make up artist: crowd |
| Wendy Kemp Forbes | .. | makeup artist: daily |
| Darlene Forrester | .. | makeup artist |
| Stephanie A. Fowler | .. | makeup artist |
| Teri Galati | .. | makeup artist: daily |
| Chris Gallaher | .. | special makeup effects artist |
| Mark Garbarino | .. | makeup artist |
| Luis García | .. | makeup artist |
| Manolo García | .. | personal hair stylist: Penélope Cruz (as Manuel Garcia Martinez) |
| Rick Glassman | .. | additional special effects makeup |
| Paul Gooch | .. | hairdresser: UK |
| Pamela Haddock | .. | hairdresser: UK |
| Tammy Harewood | .. | daily makeup artist |
| Joel Harlow | .. | makeup department head / personal makeup artist: Johnny Depp / special makeup effects artist |
| Jennifer Harty | .. | makeup: dailies |
| Elizabeth Hoel-Chang | .. | additional makeup artist (as Elizabeth Hoel) |
| Victoria Holt | .. | prosthetics makeup artist |
| Will Huff | .. | special makeup effects artist |
| Suzanne Jansen | .. | makeup artist: daily |
| Duncan Jarman | .. | prosthetic makeup artist |
| Dean Jones | .. | makeup artist |
| Tania Kahale | .. | hair stylist |
| Peter Swords King | .. | department head hair |
| Kevin Kirkpatrick | .. | prosthetic makeup artist |
| Bob Kretschmer | .. | wig maker |
| Denise Kum | .. | makeup artist |
| Dalton Kutsch | .. | makeup effects technician: mold department |
| Uxue Laguardia | .. | makeup artist: UK |
| Don Lanning | .. | sculptor |
| Steve LaPorte | .. | makeup artist |
| Fiona Lobo-Cranston | .. | hair stylist |
| Veronica Lorenz | .. | mermaid makeup artist |
| Gemma Low | .. | makeup artist daily |
| Ana Lozano | .. | makeup artist: Penélope Cruz |
| Brandy Lydon | .. | makeup pa |
| Leonard MacDonald | .. | special makeup effects artist (as Lennie MacDonald) |
| Monica MacDonald | .. | make up artist: daily |
| Kristyan Mallett | .. | prosthetic make up artist |
| Sharon Martin | .. | key makeup artist: UK |
| Randi Mavestrand | .. | additional make up artist |
| Nuria Mbomio | .. | makeup artist: UK (as Nuria Mbomio-Mba) |
| Veronica McAleer | .. | hair and makeup: daily |
| Donald McInnes | .. | makeup: dailies |
| Flora Moody | .. | hair stylist |
| Angie Mudge | .. | makeup dailies |
| Kenny Myers | .. | key makeup artist |
| Jessica Needham | .. | crowd makeup artist |
| Jessica Nelson | .. | contact lens technician |
| Ken Niederbaumer | .. | special makeup effects artist |
| Mark Nieman | .. | special makeup effects artist |
| Julie Nightingale | .. | make up daily |
| Beth O'Rourke | .. | additional makeup artist |
| Jane Oginsky | .. | personal assistant to Joel Harlow |
| Cristina Patterson | .. | contact lens designer & coordinator |
| Brian Penikas | .. | special makeup effects artist: Oahu and Universal units |
| Heather Plott | .. | makeup artist |
| Paula Price | .. | hairdresser: UK |
| Abbie Pryce | .. | makeup artist |
| Jesse Rose Rogers | .. | trainee hair stylist |
| Jutta Russell | .. | additional make up artist |
| Deborah Rutherford | .. | makeup artist (as Deborah Patino Rutherford) |
| Don Rutherford | .. | makeup artist |
| Laine Rykes | .. | makeup artist |
| Luca Saccuman | .. | dailies hair stylist |
| Tricia Sawyer | .. | makeup artist |
| Laura Schiavo | .. | hairdresser: UK (as Loz Schiavo) |
| Brad Scott | .. | hair stylist |
| Nikoletta Skarlatos | .. | makeup artist |
| Colette Slattery | .. | hair stylist |
| Sophie Slotover | .. | make up artist: daily |
| Brigitta Smart | .. | makeup artist: daillies |
| Stephanie Lynne Smith | .. | crowd makeup trainee |
| Mike Smithson | .. | makeup artist (as Michael Smithson) |
| Kimberley Spiteri | .. | key hair stylist |
| Bunny Stanway-Mayers | .. | hair trainee: dailies |
| Scott Stoddard | .. | prosthetic makeup artist |
| Sinead Sweeney | .. | contact lens technician |
| Lucybelle Thompson | .. | crowd hair trainee |
| Vale Von der Wehl | .. | makeup artist: Dailies |
| Sarah Walkinshaw | .. | makeup artist: dailies |
| Victoria Warrington | .. | contact lens technician |
| Josh Weston | .. | makeup artist: UK / prosthetic make up artist |
| Claire Williams | .. | additional hairdresser |
| Lucy Willis | .. | crowd makeup artist |
| Anthony Wilson | .. | hair stylist |
| Robert Wilson | .. | hair stylist |
| Rebecca Wright | .. | makeup pa |
| Helen Conroy | .. | crowd makeup trainee (uncredited) |
| Patt Foad | .. | crowd makeup trainee: daily (uncredited) |
| Sian Miller | .. | makeup artist (uncredited) |
| Sarah Weatherburn | .. | facial hair maker (uncredited) |
| Jay Wejebe | .. | background makeup coordinator (uncredited) |
| Karen Zanki | .. | hair stylist (uncredited) |
Production Management
| Sarah Bradshaw | .. | unit production manager |
| B. Ted Deiker | .. | production supervisor: additional photography |
| Tami Goldman | .. | post-production supervisor |
| Simone Goodridge | .. | production supervisor |
| Ellen Gordon | .. | unit production manager: Puerto Rico |
| Carla Raij | .. | unit production manager: second unit, Hawaii |
| Elona Tsou | .. | production supervisor: second unit |
| Barry H. Waldman | .. | unit production manager (as Barry Waldman) |
| Trevor Waterson | .. | production supervisor |
| Bruce Hendricks | .. | executive in charge of production (uncredited) |
Second Unit Director or Assistant Director
| Jeff Bilger | .. | second assistant director: second unit |
| Dennis Burrell | .. | second second assistant director: second unit crew |
| Chloe Chesterton | .. | second assistant director: crowd |
| Albert Cho | .. | first assistant director: second unit |
| Laurie Deuters | .. | daily crowd assistant director |
| Ben Dixon | .. | assistant director: insert unit |
| Charles Gibson | .. | second unit director |
| Henry Jay Gordon | .. | additional assistant director: second unit (as Henry Gordon) |
| Toby Hefferman | .. | first assistant director: second unit |
| Nora Henderson | .. | daily assistant director |
| Angharad Jones | .. | third assistant director: second unit |
| Harry Jones | .. | third assistant director: second unit |
| Ray Kenny | .. | assistant director: insert unit |
| Peter Kohn | .. | first assistant director |
| Jonathan Levene | .. | crowd director |
| Carly Lewisohn | .. | third assistant director: crowd |
| James Manning | .. | second assistant director: second unit |
| James McGrady | .. | third assistant director |
| Terry McShane | .. | additional third assistant director |
| Sarah Mooney | .. | third assistant director: second unit |
| Jaesung Oh | .. | third assistant director: prosthetic cast (as Jae-sung Oh) |
| Gregory J. Pawlik Jr. | .. | additional second assistant director / second second assistant director: second unit |
| David Pinkus | .. | additional second assistant director: crowd |
| Timothy R. Price | .. | key second assistant director |
| Christian Rigg | .. | crowd third assistant director |
| Brett Robinson | .. | second second assistant director |
| Jake Rollins | .. | base third assistant director / daily assistant director |
| George Marshall Ruge | .. | second unit director |
| Paul Sacks | .. | additional assistant director: crowd |
| Michelle Schrauwers | .. | additional second assistant director |
| Nick Shuttleworth | .. | second assistant director |
| Vaughn Stein | .. | third assistant director: stunts |
| Jeff Taylor | .. | second second assistant director |
| Andrew Vanneck | .. | additional assistant director: crowd |
| Timothy Wood | .. | third assistant director: stunts dailies |
| Caroline Kaempfer | .. | additional 3rd assistant director: crowd (uncredited) |
Art Department
| Craig Abele | .. | sculpting gang boss |
| Michael Acheson | .. | greensman |
| Paul Alfaro | .. | greens |
| David Allday | .. | senior art director: UK |
| Peter Alvarez | .. | general foreman |
| Courtney J. Andersen | .. | ship technician coordinator |
| Paige Augustine | .. | assistant set decorator |
| Isidoro Avila | .. | set dresser / set dresser: Los Angeles |
| Rob Bean | .. | concept model maker |
| Brian Benavides | .. | carpenter gang boss |
| Sarena Bhargava | .. | head sculptor |
| Lee Biggs | .. | carpenter |
| Gabor Biro | .. | greens chargehand |
| Robert M. Bouffard | .. | prop maker |
| Drew Boughton | .. | art director: Los Angeles (as Andrew Boughton) |
| Damon Bowden | .. | painter |
| Guy Bradley | .. | assistant art director |
| Dawn Brown | .. | concept artist |
| Mark Buck | .. | plasterer |
| Dorothy Bulac | .. | prop fabricator |
| Richard K. Buoen | .. | concept designer |
| Gladys Bustos | .. | assistant property master |
| Gregory Byrne | .. | set dresser |
| Greg John Callas | .. | construction coordinator |
| Tom Callinicos | .. | on set dresser |
| Oliver Carroll | .. | draughtsman |
| Andy Carter | .. | painter (as Andrew J. Carter) |
| Joe Cassar | .. | carpenter |
| Tina Charad | .. | graphic artist |
| John Chichester | .. | art director: Los Angeles |
| Don 'Tex' Clark | .. | additional on-set dresser: Los Angeles |
| Temple Clark | .. | concept artist |
| Joshua Cobos | .. | mould maker |
| Luis E. Colon Santiago | .. | foreman |
| Guy Cope | .. | chargehand rigger |
| Kirk Corwin | .. | property master |
| Michael D. Costello | .. | painter (as Michael Costello) |
| Robert Cowper | .. | art director: UK (as Rob Cowper) |
| Duncan Crawford | .. | sculptor |
| Hugh Cummings | .. | art department production assistant |
| Damon Darchuck | .. | set dresser |
| Jack Dehaan | .. | carpenter (as Jack Deehaan) |
| Darien Delgado | .. | construction foreman |
| Gary Dempsey | .. | painter |
| Val Drake | .. | sculptor |
| Jillian Drujon | .. | drapes |
| Robert J. Dugdale | .. | scenic painter |
| Joe Dunckley | .. | props |
| John Eaves | .. | concept illustrator |
| Sander Ellers | .. | prop modeller |
| Neil Ellis | .. | prop maker |
| Andy Evans | .. | construction manager: UK |
| Mimsy Farmer | .. | sculptor |
| Kelly Farrah | .. | armorer |
| Christine Fegley | .. | set painter |
| Mariano Fernandez | .. | welding foreman |
| Francesco Ferrara | .. | painter |
| Giovanni Ferrara | .. | lead paint foreman |
| Jeff Finch | .. | plasterer |
| Justin Fischer | .. | set dresser |
| Gavin Fitch | .. | assistant art director |
| Darren Fitzsimons | .. | sculptor |
| Chris Fix | .. | propmaker gang boss: sp.fx |
| Andrew P. Flores | .. | on-set painter (as Andy Flores) |
| Walter Fowler | .. | props |
| Stani Franklin | .. | art department production assistant |
| Gary Freeman | .. | supervising art director: UK |
| David French | .. | sculptor |
| Steve Furneaux | .. | carpenter |
| Charlotte Gamble | .. | assistant: production designer (as Charlotte Bushnell) |
| Giacomo G. Ghiazza | .. | storyboard artist |
| Penelope Franco Gilmore | .. | set decoration assistant (as Penelope Franco) |
| Gary Gleeson | .. | hod painter: UK |
| Emma Godwin | .. | assistant buyer |
| Matt Goldstein | .. | art department assistant |
| Oliver Goodier | .. | draughtsman |
| Lee Graffham | .. | construction electrician |
| Peter Graffham | .. | hod rigger |
| Peter N. Griffith | .. | prop assistant |
| Zack Grobler | .. | art director: Oahu |
| Oliver Guy-Watkins | .. | construction: scenic texture artist |
| Andrew Guyett | .. | painter |
| Matt Handford | .. | carpenter |
| Tyler Hardin | .. | art department researcher |
| Steve Harris | .. | carpenter |
| Melissa Harrison | .. | property coordinator |
| Toby Hawkes | .. | supervising propmaker |
| Paul Hearn | .. | props |
| Terry Heggarty | .. | stand by painter |
| Scott Hillier | .. | nautical rigger: uk |
| Craig Hoffmann | .. | set dresser |
| Jonathan Holbrook | .. | painter |
| Peter Hooper | .. | greens supervisor |
| Dan Horton | .. | lead greensman |
| Juan Guallini Indij | .. | head greensman |
| Michael Anthony Jackson | .. | storyboard artist |
| Benton Jew | .. | storyboard artist |
| Patricia Johnson | .. | set designer |
| Bethan Jones | .. | junior draughtsperson |
| Tyrone Anthony Jones | .. | set dresser (as Ty Jones Jr.) |
| Gary Jopling | .. | assistant art director |
| Andrew Calma Jr | .. | decorative painter |
| Nicky Kaill | .. | painter |
| Tedd Keith | .. | construction foreman |
| Philip Keller | .. | storyboard artist |
| Sherman Kew | .. | art department coordinator: USA |
| Noelle King | .. | set designer |
| Martin Kingsley | .. | assistant property master |
| Lisa M. Kittredge-Rodriguez | .. | construction auditor (as Lisa M. Kittredge) |
| Holiday Landa | .. | set decoration coordinator |
| Jennifer Lewicki | .. | art department coordinator |
| Chris Lewry | .. | drapesman |
| Katie Lodge | .. | prop modeller |
| Elliot Lucas | .. | set designer |
| Charlotte Malynn | .. | art department assistant |
| Annika Mantle | .. | set decorating coordinator |
| John Markovich | .. | set dresser |
| Jon Marson | .. | key greensman |
| Stephen McCumby | .. | props: Puerto Rico |
| Simon McGuire | .. | concept artist |
| Martin 'Marty' McLaughlin | .. | construction: scenic texture artist |
| Thomas Meikle | .. | sculptor |
| Ron Mendell | .. | model maker |
| Daniel P. Murphy | .. | construction metal fabricator |
| Ian Murray | .. | rigger (as Ian Vincent Murray) |
| Neil Murrum | .. | chargehand dressing prop |
| Brooke Nasser | .. | art department assistant |
| Sophie Newman | .. | assistant set decorator |
| Rick Newsome | .. | storyboard artist |
| Greg O'Donohue | .. | swing gang boss |
| John O'Shaughnessy | .. | production buyer |
| Anthony Owen | .. | carpenter |
| Missy Parker | .. | set decorator: US |
| Ron D. Peake | .. | welder gangboss |
| Nick Pelham | .. | storyboard artist |
| Michael Pennington | .. | prop maker / set builder |
| Anthony Platt | .. | model maker |
| Francis Poirier | .. | hod sculptor |
| Joshua Polley | .. | props (as Josh Polley) |
| Heather Pollington | .. | graphic artist |
| Joel Prihoda | .. | leadman |
| Andrew Proctor | .. | junior draughtsman |
| Kira Qwan | .. | art department assistant |
| Adam Rashbrook | .. | stagehand |
| Tyrone Reed | .. | supervising stagehand |
| Wil Rees | .. | production illustrator |
| Linda Jayne Roberts | .. | construction medic |
| Iosefa Robins | .. | greensman |
| Isaia Robins | .. | on-set greensman |
| Bert Rodriguez | .. | construction foreman |
| Hugo Santiago | .. | set designer |
| Cosmo Sarson | .. | decor artist |
| Steven M. Saylor | .. | set designer |
| Chris Seddon | .. | drapes master |
| Ugo Serrano | .. | propmaker |
| Michael Sinnott | .. | chargehand painters labourer |
| Spencer Smith | .. | on set greensman |
| Jason Soles | .. | plaster foreman |
| Jim Stubblefield | .. | assistant property master |
| Tony Swatton | .. | sword maker |
| Darrell Tachibana | .. | greensman |
| Sophie Tarver | .. | prop maker |
| Jim Taylor | .. | plasterer |
| Ty Teiger | .. | property master |
| Miles Teves | .. | concept artist |
| Richard Thomas | .. | senior prop modeller |
| Joshua Towers | .. | set dresser |
| Adrian Valdes | .. | painter foreman |
| Lisa Vasconcellos | .. | assistant art director |
| Cuitlahuac Morales Velazquez | .. | sculptor |
| Thomas R. Wagner | .. | on-set property master/armorer |
| Jim Wallis | .. | set designer |
| Oliver Walpole | .. | props |
| Doreen Watkinson | .. | prop maker |
| Peter Watson | .. | supervising dressing prop |
| Michael Weaver | .. | Painter |
| Simon Webber | .. | concept artist |
| William Wells | .. | props (as Billy Wells) |
| Kelly Westmiller | .. | set dresser |
| Michael White | .. | set sculpture |
| Sarah Whittle | .. | assistant set decorator |
| Alex Rose Wiesel | .. | art model: mermaid |
| Buddie Wilkinson | .. | stand-by props: main unit |
| Dennis Winters | .. | on-set dresser: second unit |
| Liloa Wong | .. | greens foreman |
| Christopher J. Wood | .. | gang boss |
| Bradley Woodbridge | .. | stand-by painter |
| Jeff Woodbridge | .. | carpenter |
| Lawrence Wright | .. | plasterer |
| Daphne Yap | .. | concept artist |
| Ian Zawadzki | .. | supervising painter |
| Kate Katz | .. | model maker: model construction (uncredited) |
| Emily Kwong | .. | digital set designer: New Deal Studios (uncredited) |
| Nathan Middleton | .. | supervising painter (uncredited) |
| Kris Nagle | .. | welder (uncredited) |
| Carl Robarge | .. | molder/caster (uncredited) |
| Mauricio Ruiz | .. | concept artist: Legacy Effects (uncredited) |
| Clint Schultz | .. | graphic designer (uncredited) |
| Edward Skade | .. | sculptor (uncredited) |
| Tom Still | .. | art director: set decoration (uncredited) |
Sound Department
| Mike Anderson | .. | utility sound |
| James Ashwill | .. | foley mixer |
| Christopher Atkinson | .. | second assistant sound (as Chris Atkinson) / sound maintenance |
| Christopher Boyes | .. | re-recording mixer / sound designer |
| Paul Cameron | .. | daily sound assistant |
| Paul Cameron | .. | Dailies Sound Assistant |
| Joe Cappelletti | .. | voice director: adr |
| Lori Castro | .. | assistant engineer |
| John T. Cucci | .. | foley artist (as John Cucci) |
| Richard Duarte | .. | foley mixer |
| Ken Fischer | .. | sound effects editor |
| Jonathan Fuh | .. | boom operator |
| Peter Gleaves | .. | adr mixer |
| Nia Hansen | .. | assistant sound editor |
| Matthew Harrison | .. | foley editor |
| Tom Harrison | .. | boom operator |
| Michael Hertlein | .. | dialogue editor |
| David C. Hughes | .. | sound effects editor |
| Jeffrey A. Humphreys | .. | boom operator |
| Gareth John | .. | production sound mixer: second unit |
| Christian Joyce | .. | additional production sound mixer: second unit, UK |
| Adam Kopald | .. | sound effects editor |
| Howard London | .. | adr mixer |
| William Martel Jr. | .. | sound mixer |
| Victoria Martin | .. | supervising foley editor |
| Paul Massey | .. | re-recording mixer |
| Diane Mercer | .. | adr looping |
| Shannon Mills | .. | supervising sound editor/designer |
| Nathan Nance | .. | mix tech: Skywalker Sound |
| Matthias Neumann | .. | dubbing recordist |
| Dan O'Connell | .. | foley artist |
| Jordan O'Neill | .. | dts sound mastering engineer |
| Lee Orloff | .. | production sound mixer |
| Douglas Parker | .. | assistant sound editor |
| Michelle Pazer | .. | adr editor |
| Juan Peralta | .. | additional re-recording mixer: Skywalker Sound |
| Michele Perrone | .. | adr editor |
| Margit Pfeiffer | .. | dialogue editor |
| Paul Schwartz | .. | boom operator (second unit) |
| Dee Selby | .. | assistant sound designer |
| Dan Sharp | .. | re-recordist: Sony Pictures Studios Cary Grant Theatre (as Daniel Sharp) |
| Ivan Sharrock | .. | production sound mixer: UK |
| Thomas W. Small | .. | foley editor (as Thomas Small) |
| Rob Smith | .. | mix stage engineer: Sony Pictures Studios Cary Grant Theatre (as Robert Smith) |
| Branden Spencer | .. | assistant sound editor |
| James Spencer | .. | mix tech: Skywalker Sound |
| Greg Steele | .. | adr mixer (as Greg Steele CAS) |
| Addison Teague | .. | sound effects editor |
| Renee Tondelli | .. | supervising adr/dialogue editor |
| George Watters II | .. | supervising sound editor |
| Gary Wright | .. | foley editor |
| Keenan Wyatt | .. | sound technician |
| Richard Duarte | .. | foley artist (uncredited) |
| John Guentner | .. | foley mixer (uncredited) |
| Nia Hansen | .. | sound effects artist (uncredited) / sound recordist (uncredited) |
| Emmet O'Donnell | .. | adr recordist (uncredited) |
| Dee Selby | .. | sound effects editor (uncredited) |
| Andy Stallabrass | .. | adr mixer (uncredited) |
| Debby VanPoucke | .. | sound effects field recordist (uncredited) |
| Greg Zimmerman | .. | adr recordist (uncredited) |
Special Effects by
| H. Barclay Aaris | .. | special effects |
| Vince Abbott | .. | senior special effects technician |
| Tim Ambridge | .. | wire effects |
| Scott Armstrong | .. | special effects technician |
| Justin Bertges | .. | Casting department at The Character Shop |
| Jonathan Bickerdike | .. | special effects technician |
| Steve Bolan | .. | Jet Wind Operator |
| David Brighton | .. | special effects workshop supervisor: UK Crew |
| Ben Broadbridge | .. | special effects technician: dailies |
| Sam Conway | .. | special effects senior technician |
| Leslie Coogan | .. | special effects accountant |
| Neil Corbould | .. | special effects supervisor: UK |
| Dean Davey | .. | special fx assistant |
| Noah DePietro | .. | model maker |
| Bruce Allan Donnellan | .. | special effects technician |
| Moose Enright | .. | special effects electronic unit chief (as Thomas Enright) |
| Raymond Ferguson | .. | lead senior technician |
| Nick Finlayson | .. | senior special effects technician |
| Eric Frazier | .. | special effects foreman |
| John Frazier | .. | special effects supervisor |
| Andy Garner | .. | animatronic special effects |
| Peter Haran | .. | first unit supervisor |
| Laurence Harvey | .. | special effects technician |
| Mark Hawker | .. | special effects coordinator |
| Rob Hayns | .. | wireman |
| Stuart Heath | .. | lead senior special effects technician |
| Thomas R. Homsher | .. | special effects foreman |
| Mathew Horton | .. | senior special effects technician (as Matthew Horton) |
| Stephen Imhoff | .. | special effects technician |
| Ben James | .. | special effects trainee |
| Nick Joscylene | .. | special effects technician |
| Hiroshi Katagiri | .. | key artist: Hallow FX |
| Michael Kirchmeier | .. | special effects |
| Kevin Kirkpatrick | .. | sculptor: Joel Harlow Designs |
| Joseph Livolsi | .. | special effects technician |
| Joe Love | .. | special effects foreman |
| Francisco 'Panchi' López-Franco | .. | special effects technician |
| Aimee Macabeo | .. | special effects makeup |
| Kevin Mathews | .. | wire effects supervisor |
| Claire Mear | .. | special effects medic (as Claire Hall) |
| Martin Montoya | .. | special effects foreman |
| Nigel Nixon | .. | special effects production buyer |
| Steven Pancake | .. | special effects crew |
| Ken Pearce | .. | facial motion capture |
| Dave Poole | .. | lead senior special effects technician |
| Lee Rider | .. | lead senior technician |
| Darren Robinson | .. | special effects crew |
| Dave Roddham | .. | special effects technician |
| Micah Roehr | .. | fabricator |
| J.D. Schwalm | .. | on-set special effects foreman: second unit |
| Zach Swanson | .. | special effects purchaser |
| Mitch Toles | .. | pyrotechnician |
| Joel Vitow | .. | special effects |
| Anne Marie Walters | .. | senior special effects technician |
| David Watkins | .. | special effects co-supervisor: UK |
| Andy Weder | .. | special effects first unit foreman |
| Stuart Wishart | .. | special effects senior technician |
| Guy Hauldren | .. | 3D scanning (uncredited) |
| David Johnson | .. | special effects technician (uncredited) |
| Rick Lazzarini | .. | custom snake puppets (uncredited) |
Visual Effects by
| Abraham Abdala | .. | stereo compositor: Legend 3D |
| Paolo Acri | .. | digital compositor: ILM |
| Nidhi Agarwal | .. | matchmove artist |
| Matt Akey | .. | producer: Legend 3D |
| Israel Alatorre | .. | stereo artist: Legend 3D |
| Ryan Albertson | .. | stereo artist: Legend 3D |
| Anjel Alcaraz | .. | stereo artist: Legend 3D |
| Jessica Alcorn | .. | compositor |
| Holly Aldersley | .. | roto/prep artist |
| Gordon Alexander | .. | motion capture artist |
| Jon Alexander | .. | compositing supervisor: ILM |
| Julius F. Alexander | .. | lead stereoscopic compositor |
| Patrick L. Almanza | .. | stereo compositor: Legend 3D |
| Juan Alvarez | .. | stereo artist: Legend 3D |
| Colin Alway | .. | lead digital compositor: MPC |
| Shudhdodhan Milind Ambhore | .. | roto artist: stereoscopic conversion: Reliance Media Works |
| Jill Ambrosino | .. | pre-visualization producer |
| Paul Amiras | .. | vfx stills photography: Cinesite |
| Dane Anderson | .. | asset technician: Legend 3D |
| David Anderson | .. | stereo artist: Legend 3D |
| Ken Anderson | .. | stereo compositor: Legend 3D |
| Florent Andorra | .. | senior technical director: ILM |
| Arild Anfinnsen | .. | visual effects artist |
| Kamran Arian | .. | stereo compositor: Legend 3D |
| Joe Arnold | .. | matchmover: Cinesite |
| Elizabeth Asai | .. | visual effects bidding producer: Ollin VFX |
| Saqib Ashraf | .. | stereo matchmove artist |
| Suzie Askham | .. | matchmover: Cinesite |
| Mathieu Assemat | .. | visual effects artist |
| Andrew Astengo | .. | stereo artist: Legend 3D |
| Wardley Ataop | .. | stereo production assistant |
| Jeff Atherton | .. | visual effects producer: Hydraulx |
| Melissa Austria | .. | stereo production supervisor: Legend 3D |
| Nithin Babu | .. | roto artist: The Moving Picture Company |
| Lance Baetkey | .. | digital paint/roto supervisor |
| Rajneesh Bahukhandi | .. | visual effects artist |
| Kenneth Bailey | .. | creature technical director: ILM |
| Richard Baillie | .. | lead artist: roto/prep |
| Katharine Baird | .. | digital paint and rotoscope artist |
| Pavan Balagam | .. | digital artist: Cinesite / senior compositor (as Pavan Kumar) |
| Mahesh Balakrishnan | .. | matchmove artist: MPC |
| Santhoshi Balasubramanian | .. | digital artist |
| Tony Baldridge | .. | vfx supervisor: Legend 3D |
| Kristopher Baldwin | .. | stereo compositor: Legend 3D |
| Jasper M. Baltzersen | .. | digital paint & roto artist: ILM |
| Lluis Barcelo | .. | lighting and rendering |
| Bart Barendregt | .. | digital artist: Cinesite |
| Shawn Barnett | .. | compositing assistant supervisor: Legend 3D |
| Geeta Basantani | .. | digital compositor: ILM |
| Simeon Bassett | .. | sequence supervisor |
| Massimiliano Battista | .. | digital artist: titles international versioning |
| Christopher Batty | .. | pre-visualization lead: Pixel Liberation Front |
| Nicolas Beaufays | .. | digital compositor: MPC |
| Vicki Beck | .. | executive staff: ILM |
| Michael Becki | .. | layout td |
| Leah Beevers | .. | technical animator |
| Nathan Behmlander | .. | stereo compositor: Legend 3D |
| John Bell | .. | visual effects art director: ILM |
| Kevin Bell | .. | digital compositor: ILM |
| Richard A.M. Bell | .. | lighting technical director: Cinesite |
| Stephanie Bell | .. | stereoscopic compositing coordinator: Legend 3D |
| Shraddha Belose | .. | digital artist: Prana Studios |
| Molly Bender | .. | stereo coordinator: Legend 3D |
| Chris Bending | .. | crowd td |
| Nestor Benito | .. | digital compositor: ILM |
| Kevin Bennett | .. | stereo coordinator: Legend 3D |
| Tyler Bennink | .. | stereo production supervisor: Legend 3D |
| Jill Berger | .. | senior technical director: ILM |
| Martin Bergstrom | .. | matte painter |
| Gloria Bernabeu | .. | digital compositor |
| Sam Berry | .. | rigger: MPC |
| Annalyn Betinol | .. | paint artist |
| Prasad Biki | .. | visual effects artist |
| Bineesh | .. | stereo matchmove artist |
| Kanishk Deb Biswas | .. | roto/animation artist: The Moving Picture Company |
| Gerald Blaise | .. | digital artist |
| Christopher Blasko | .. | outsource manager |
| John Blausey | .. | transportation sup |
| Chris Bloom | .. | stereo artist: Legend 3D |
| Turea Blyth | .. | vfx editor: Cinesite |
| Stella Bogh | .. | digital compositor |
| Samati Boonchitsitsak | .. | character animator: ILM |
| Siksit Boonyodom | .. | compositor |
| Landon Bootsma | .. | digital compositor: ILM |
| Lucie Bories | .. | digital compositor: MPC |
| Dan Bornstein | .. | visual effects technical director: ILM |
| Giselle Borromeo | .. | asset technician: Legend 3D |
| Jonathan Bot | .. | digital artist: Cinesite |
| Guy Botham | .. | visual effects executive producer |
| Mathieu Boucher | .. | lighting technical director: ILM |
| S. Kai Bovaird | .. | data wrangler |
| Phil Bowen | .. | first assistant camera: Kerner Optical |
| Toma Bowen | .. | stereoscopic compositor |
| Jason Bowers | .. | stereo artist: Legend 3D |
| Dameon Boyle | .. | technical animator |
| Gavin Boyle | .. | layout: ILM |
| John Bradley | .. | stereo artist: Legend 3D |
| Neal Bradshaw | .. | 3d scan technician: Gentle Giant Studios |
| Franz Brandstaetter | .. | digital compositor |
| Erik Bratlien | .. | stereo artist: Legend 3D |
| Benjamin Bratt | .. | roto/prep artist |
| Michaela Braun | .. | team assistant: ScanlineVFX |
| Hayley Brazelton | .. | digital compositor (as Hayley Collins) |
| Dan Breckwoldt | .. | senior compositor: MPC |
| Andrew Brittain | .. | stereo matchmove artist |
| Jonathan Brouillat | .. | shader writer |
| J. Brown | .. | asset technician: Legend 3D |
| Morris Brown | .. | stereo artist: Legend 3D |
| Gary Brozenich | .. | visual effects supervisor: MPC |
| Ken Bryan | .. | digital modeler |
| Carrie Bryant | .. | rotoscope artist |
| Daniel Bryant | .. | digital compositor: ILM |
| Rob Bryson | .. | roto/prep artist: MPC |
| Izet Buco | .. | digital compositor |
| Derek Burgess | .. | visual effects editor |
| Christian Burggraf | .. | system administration: ScanlineVFX |
| Robert Burk | .. | lead stereo artist: Legend 3D |
| Brian Burks | .. | previsualization artist |
| Julian Burt | .. | roto/animation artist |
| Ivan Busquets | .. | digital compositor: ILM |
| Carlos Caballero Valdés | .. | digital compositor |
| Daniela Cabrera | .. | stereo compositor: Legend 3D |
| Jay Caguioa | .. | stereo compositor: Legend 3D |
| Di Cai | .. | roto artist |
| Khue Cai | .. | stereo production assistant: Legend 3D |
| Daniela Calafatello | .. | creature technical director |
| Sean Callahan | .. | stereo artist: Legend 3 D |
| Jodi Campanaro | .. | compositor |
| Kevin Campbell | .. | digital artist |
| Matt Candido | .. | data management: Legend 3D |
| Marshall Candland | .. | digital artist |
| Felipe Canfora | .. | lead environment TD: Cinesite |
| Rhodem Regner Capilla | .. | roto artist (as Rhodem R. Capilla) |
| Curtis Carlson | .. | stereo compositor: Legend 3D |
| Alex Carr | .. | visual effects coordinator |
| Ian Carr | .. | technical support |
| Ronan Carr | .. | roto & cleanup |
| Toni Pace Carstensen | .. | senior vfx producer: Legend 3D |
| Paco Castillo | .. | digital compositor: Ollin Studio |
| Enrique Sandoval Castro | .. | digital compositor: Ollin VFX Studio |
| Rex Cataroja | .. | stereo artist: Legend 3D |
| Nicholas Cerniglia | .. | digital artist |
| Elohim Cervantes Tampus | .. | stereoscopic paint lead artist / visual effects artist |
| Gabriel D. Cervantes | .. | lead stereo artist: Legend 3D (as Gabe Cervantes) |
| Craig Cesareo | .. | stereo compositor: Legend 3D |
| Qian Hao Chai | .. | technical assistant |
| Paul Chandler | .. | digital matte artist |
| Malavika Chandrakanth | .. | paint & roto artist |
| Anoop Chandran | .. | matchmove artist: MPC |
| Can Chang | .. | compositor: ILM |
| Andrew Chapman | .. | digital production supervisor: ILM Singapore |
| Satyendra Chaturvedi | .. | digital artist |
| Georgie Chen | .. | digital artist |
| Mark Chernausek | .. | stereo production assistant: Legend 3D |
| Peter Chesloff | .. | compositing sequence supervisor |
| Jennifer Cho | .. | stereo compositor: Legend 3D |
| Charles Chorein | .. | lighting technical director |
| Ian Chriss | .. | visual effects electrician: Kerner Optical |
| Kristy Chrobak | .. | associate stereographer: Legend 3D |
| Paul Churchill | .. | digital artist: ILM |
| Tony Clark | .. | visual effects supervisor: Rising Sun Pictures |
| Oli Clarke | .. | layout artist: MPC |
| Peter Clayton | .. | digital artist: Cinesite |
| Richard Clegg | .. | lead lighting technical director |
| Sam Clementson | .. | production and technical support: Cinesite |
| Ryan Cleveland | .. | senior stereo artist: Legend 3D |
| Christine Clippinger | .. | stereo compositor: Legend 3D |
| Chris Clough | .. | data operator: Cinesite |
| Ron Clowney | .. | stereo artist: Legend 3D |
| Sarah Coatts | .. | visual effects producer: yU+co |
| Josh Cohen | .. | stereo artist: Legend 3D |
| Joshua E. Cohen | .. | visual effects |
| Michael Colburn | .. | stereo compositor (as Michael Coulburn) |
| Ross Colgan | .. | senior data operator: Cinesite |
| Chad E. Collier | .. | digital intermediate data technician: Company 3 |
| Alex Collings | .. | assistant data wrangler |
| Matthew Collorafice | .. | compositing supervisor / digital compositor |
| Brett Comer | .. | visual effects |
| David Conley | .. | visual effects producer |
| Paul Connaughton | .. | matchmover: Cinesite |
| Pat Conran | .. | cg supervisor |
| Traian Constantinescu | .. | digital compositor: MPC |
| Niko Conte | .. | fx artist: ScanlineVFX |
| Ian Cope | .. | visual effects producer: Rising Sun Pictures |
| Dan Copping | .. | lead layout artist: MPC |
| Sam Corcoran | .. | software developer: MPC |
| Francesco Cosatti | .. | digital artist: Cinesite (as Frencesco Cosatti) / digital compositor: Cinesite |
| Cleber Coutinho | .. | digital I/O: Cinesite |
| Kevin Crandell | .. | stereo assistant editor: Legend 3D |
| Christina Creighton | .. | stereo artist: Legend 3D |
| Joseph Creswell | .. | lighting technical director: The Moving Picture Company |
| Cynthia Crimmins | .. | visual effects coordinator: ILM |
| Stéphane Cros | .. | character rigger |
| Chris Crowell | .. | compositor |
| Matthew D'Angibau | .. | matchmover: Cinesite |
| Robin L. D'Arcy | .. | visual effects producer: Ollin Studio |
| Yves D'Incau | .. | fx artist: ScanlineVFX |
| Ken Dailey | .. | visual effects producer: Cinesite |
| Tiffany Dailey | .. | stereo artist: Legend 3D |
| David Dame | .. | creature technical director |
| Giles Davies | .. | lead modeler: MPC |
| Adam Davis | .. | head of crowd sim |
| Bora Dayioglu | .. | digital artist |
| Aurore de Blois | .. | digital compositor |
| Natalia de la Garza | .. | compositing supervisor: Ollin Studio |
| Elton de Leon | .. | stereo assistant editor: Legend 3D |
| Ayse Dedeoglu | .. | visual effects production manager: Kerner Optical (as Ayse Arkali) |
| Yoshi DeHerrera | .. | 3d scanning tecnician |
| Kevin Del Colle | .. | digital film scanner |
| Stevan Del George | .. | lead stereo compositor: yU+Co, Hollywood, CA |
| Damien Delaunay | .. | visual effects artist |
| Caroline Delen | .. | digital artist |
| Stanley A. Dellimore | .. | head of layout: MPC |
| Brian Delmonico | .. | compositor |
| Stephen DeLuca | .. | compositor: ILM |
| Steven Denyer | .. | visual effects artist |
| Ivy Depies | .. | compositor: Method Studios |
| Julien Depredurand | .. | effects technical director: Cinesite |
| Matt Dessero | .. | visual effects supervisor: Method Studios |
| Natasha Devaud | .. | visual effects artist |
| Darren Ray J. Diaz | .. | roto artist |
| Jonathon Dickey | .. | stereo production supervisor: Legend 3D |
| Ben Dickson | .. | 2d technical director: Rising Sun Pictures |
| Dan Dixon | .. | vfx coordinator: MPC |
| Tim Dobbert | .. | layout artist: ILM |
| Jennifer Dolan | .. | lead stereo artist: Legend 3D |
| Est Donnelly | .. | production assistant |
| Hannes Doornaert | .. | stereoscopic roto artist: Cinesite |
| Delphine Doreau | .. | view painter |
| Fred Dossola | .. | lead stereo artist: Legend 3D |
| John Doublestein | .. | lead creature technical director: ILM |
| Jorik Dozy | .. | digital matte painter: ILM |
| Tom Driscoll | .. | stereo assistant editor: Legend 3D |
| Kerry Drumm | .. | visual effects coordinator: Rising Sun Pictures |
| Julien Ducenne | .. | digital compositor: MPC |
| Christophe Duflaut | .. | digital compositor |
| Patricia Rose Duignan | .. | visual effects executive producer: Kerner Optical |
| Gregory Duncan | .. | roto artist: Method |
| Anthony Dunifer | .. | stereo compositor: Legend 3D |
| Kishan E. Chandran | .. | matchmove artist: The Moving Picture Company |
| William J. Earl | .. | environment td: cinesite |
| Bruno Ebe | .. | visual effects technical director |
| Bernie Ebue | .. | stereo artist: Legend 3D |
| Clwyd Edwards | .. | head of vfx |
| Paul Edwards | .. | visual effects coordinator: Cinesite |
| Moritz Eiche | .. | compositing supervisor: ScanlineVFX |
| Randahl Elkins | .. | stereo artist: Legend 3D |
| Nino Ellington | .. | technical assistant |
| Dan Elvins | .. | digital I/O: Cinesite |
| Marco Aurélio Engelmann Santos | .. | digital compositor: ScanlineVFX |
| Rob Engle | .. | 3D supervisor |
| Victor Manuel Enríquez Díaz | .. | rotoscoping artist |
| Dan Enstrom | .. | gatekeeper: ILM |
| John Paul Escobar | .. | stereo assistant editor: Legend 3D |
| Mark Philip Escobar | .. | lead stereo compositor: Legend 3D |
| Robert Eskekarr | .. | digital artist: Cinesite |
| Duane Eues | .. | stereo artist: Legend 3D |
| Jonathan Faber | .. | model maker |
| Dan Feinstein | .. | digital compositor: ILM |
| Phylicia Feldman | .. | stereo compositor: Legend 3D |
| Sebastian Feldman | .. | digital compositor |
| Fathima Feminò | .. | digital compositor |
| Jessica Fernandes | .. | department manager: ILM Singapore |
| Greg Fisher | .. | animation supervisor: MPC |
| Kevin Fitzgerald | .. | production and technical support: Cinesite |
| Michael Robinson Fleming | .. | production assistant: ILM (as Michael Fleming) |
| Jacob Flint | .. | matchmove artist: Cinesite |
| Duane Floch | .. | previsualization supervisor: Pixel Liberation Front |
| Chris M. Flynn | .. | stereo compositor: Legend 3D |
| Bridgette Foo | .. | digital artist: ILM |
| Anna Ford | .. | production and technical support: Cinesite |
| Chris Foreman | .. | digital artist lead: ILM |
| Rebecca Forth | .. | technical support: ILM |
| Andy Foster | .. | visual effects producer: method studios |
| Boominathan Frances | .. | matchmove artist |
| Urs Franzen | .. | digital compositor: ScanlineVFX |
| Neville Freitas | .. | stereo matchmove artist: Cinesite |
| Andreas Frickinger | .. | digital stereoscopic compositor: ILM |
| Mathias Frodin | .. | stereo compositor |
| Wesley Froud | .. | matchmover: Cinesite / stereo matchmove artist |
| Travis Fruci | .. | stereo artist: Legend 3D |
| Angus Funkhouser | .. | visual effects |
| Andrew Furlong | .. | previz artist |
| Joe Gaffney | .. | shader writer: Cinesite |
| Jigesh Gajjar | .. | matchmove supervisor: The Moving Picture Company |
| Antonio Gallardo | .. | visual effects editorial producer: Ollin Studio |
| Jason Gandhi | .. | r&d |
| Shannon Blake Gans | .. | visual effects executive producer: New Deal Studios |
| Anthony Garcia | .. | lead roto/paint artist: Legend 3D |
| Carlos Garcia | .. | data management: Legend 3D |
| Omar García | .. | rotoscoping supervisor Ollin Studio |
| Caroline Garrett | .. | production management: Cinesite |
| Christoph Gaudl | .. | matchmove supervisor: ScanlineVFX |
| Marco Genovesi | .. | head of matte painting: MPC |
| Jack George | .. | visual effects production assistant |
| Saneesh George | .. | matchmove artist: The Moving Picture Company |
| Adam Ghering | .. | compositing supervisor: Legend 3D |
| Abhishek Ghorui | .. | digital artist |
| Charles Gibson | .. | visual effects supervisor |
| Lloyd Gilyard Jr. | .. | stereo coordinator: Legend 3D |
| Cyrus Jay Gladstone | .. | stereographer: Legend 3D |
| Jan Glöckner | .. | digital compositor: ScanlineVFX |
| Jitesh Gohil | .. | digital artist: MPC |
| Marissa Gomes | .. | production coordinator: ILM |
| Arturo Gomez | .. | rotoscoping artist/digital artist |
| Pam Gonzales | .. | roto/paint artist |
| Daniel Gonzalez Solozabal | .. | digital compositor: Ollin |
| Walter Gonzalez | .. | stereo artist: Legend 3D |
| Geoff Goodman | .. | production development: Legend 3D |
| Philip Gordon | .. | stereo artist: Legend 3D |
| A.B. Govardhan | .. | lead matchmove artist: MPC |
| Sofus Graae | .. | visual effects coordinator |
| Trevor Graciano | .. | lead stereo compositor: Legend 3D |
| Richard Grandy | .. | pipeline supervisor: Method Studios |
| Duane Granger | .. | asset technician: Legend 3D |
| David Greenberg | .. | stereo artist: Legend 3D |
| Susan Greenhow | .. | visual effects producer: ILM |
| Keith Griego | .. | associate stereographer: Legend 3D |
| Dimitri Gross | .. | fx artist: ScanlineVFX |
| Branko Grujcic | .. | visual effects artist |
| Christopher Grutzmacher | .. | stereo artist: Legend 3D |
| Indraneel Guha | .. | Stereoscopic Rotoscopy/Paint: Reliance MediaWorks |
| Carlos Guillén | .. | digital compositor |
| Alex Guri | .. | digital artist: Cinesite |
| Ajay Gurram | .. | visual effects artist |
| Zack Haddad | .. | asset coordinator: Legend 3D |
| Markus Hagemeier | .. | vfx editor: ScanlineVFX |
| Solana Hagler | .. | stereo compositor: Legend 3D |
| Christopher Haldane | .. | stereo matchmove artist |
| Miles Hall | .. | stereo artist: Legend 3D |
| Simon Halpern | .. | previsualization artist |
| Christopher Hamilton | .. | digital artist: ILM |
| Qian Han | .. | digital compositor |
| Sam Hancock | .. | digital artist |
| Derek Hanson | .. | stereo compositor: Legend 3D |
| Michael S. Harbour | .. | stereoscopic compositing supervisor: CIS Hollywood |
| Michael Harden | .. | vfx edit assistant |
| Chris Hardman | .. | lead matchmove: Cinesite |
| Ryan Harlow | .. | stereo artist: Legend 3D |
| Tim Harrington | .. | animation supervisor: ILM |
| Jacob Harris | .. | compositor: Method Studios |
| Mark Harrison | .. | senior lighting technical director |
| Michael Harrison | .. | digital compositor |
| Shizue Harrison | .. | lead stereo artist: Legend 3D |
| Dan Harrod | .. | digital artist: Cinesite |
| David Harter | .. | digital compositor: ScanlineVFX |
| Brian Hartshorn | .. | stereo production assistant: Legend 3D |
| Daniela Hasenbring | .. | r&d: ScanlineVFX |
| Oliver Heinrich | .. | digital compositor: MPC |
| Richard Helliwell | .. | digital I/O: Cinesite |
| Benjamin Hendricks | .. | stereographic supervisor: Method |
| Kimberly Henry | .. | stereo compositor: Legend 3D |
| Laurie Herman | .. | stereo artist: Legend 3D |
| Marc Herzer | .. | matchmove artist: ScanlineVFX |
| Neil Herzinger | .. | digital artist: ILM |
| Sandy Heslop | .. | animator |
| Jan Heusler | .. | digital compositor |
| Cristian Hinz | .. | visual effects artist |
| Adam Hlavac | .. | visual effects |
| Thomas Rotohiko Hobman | .. | technical animator: MPC |
| Kay Hoddy | .. | roto artist |
| Robert Hoffmeister | .. | on set supervisor additional elemets: ILM |
| Finlay Hogg | .. | digital compositor: ScanlineVFX |
| Rebecca Holdstock | .. | matchmover: Cinesite (as Rebecca Miller) |
| Tim Holleyman | .. | digital matte painter: MPC |
| Yap Hon Wui | .. | digital artist |
| Mike Hopkinson | .. | stereo artist: Legend 3D |
| Carl Horner | .. | crew chief |
| Dave Horowitz | .. | model maker |
| Darren Horwege | .. | data management: Legend 3D |
| Gill Howe | .. | production and technical support: Cinesite (as Gillian Roberts) |
| Ritchie Hoyle | .. | roto animator |
| Anna Huang | .. | stereo coordinator: Legend 3D |
| Wanghua Huang | .. | creature technical director: ILM |
| Matthew Wheelon Hunt | .. | visual effects artist (as Matthew Hunt) |
| Ian Hunter | .. | visual effects supervisor: New Deal Studios |
| Paul Huston | .. | digital matte artist |
| Ben Hutchings | .. | lighting td |
| Jacqueline Hutchinson | .. | stereo technical director: Legend 3D |
| Danny Huynh | .. | stereo artist: Legend 3D |
| Timo Hyhs | .. | fx artist: ScanlineVFX |
| Jan Hübel | .. | digital compositor: MPC |
| Stefan Ihringer | .. | digital compositor: ScanlineVFX |
| Giuseppe Improta | .. | visual effects artist |
| Polly Ing | .. | computer graphics sequence supervisor |
| Paul Ingegneri | .. | stereo compositor: Legend 3D |
| Tracy Nicole Irwin | .. | character rigger |
| Jonna Isotalus | .. | digital compositor: Cinesite |
| Charlie Iturriaga | .. | visual effects supervisor: Ollin Studio |
| Francesc Izquierdo | .. | crowd technical director |
| Lakshmi J.K. | .. | digital artist |
| Jiri Jacknowitz | .. | digital artist |
| Cyrus Jam | .. | lead CG artist: ILM |
| Greg James | .. | research and development: ILM |
| Patrick Jarvis | .. | digital painter: ILM |
| Jeffrey Jasper | .. | digital effects supervisor: New Deal Studios |
| Sivaprakash Jeevanantham | .. | digital artist |
| Chris Jestico | .. | visual effects department manager: MPC |
| Olivier Jezequel | .. | digital compositor |
| Quan Jiang | .. | stereo compositor: Legend 3D |
| Ollie Johnson | .. | digital artist: Cinesite |
| Ben Johnston | .. | stereo compositor: Legend 3D |
| Oliver Johnstone | .. | visual effects artist |
| Evan Jones | .. | lead stereo artist: Legend 3D |
| Keith Jones | .. | digital compositor |
| Marc Jones | .. | matchmove artist: MPC |
| Owen Jones | .. | lead matchmove artist |
| Scott Jones | .. | stereo compositor: Legend 3D |
| Bhautik Joshi | .. | research and development: ILM |
| Scott Seungpil Jung | .. | effects technical director: ILM (as Scott Seungpil Chung) |
| Dinesh K. Bishnoi | .. | matchmove artist: The Moving Picture Company |
| Rajesh Kumar K.V. | .. | matchmove artist: MPC |
| Christian Kahler | .. | fx artist: ScanlineVFX |
| Ramin Kamal | .. | pipeline: Cinesite |
| Chelsea Kammeyer | .. | visual effects coordinator: Method Studios |
| Barry Kane | .. | rendering supervisor |
| Jeevith Kanth | .. | roto/animation artist |
| Ranajoy Kar | .. | roto/animation artist: The Moving Picture Company |
| Samapika Karmakar | .. | digital roto and paint supervisor: Prana Studio |
| Michael Karp | .. | matchmove artist |
| Shraddha Kate | .. | visual effects artist |
| Michelle Kater | .. | roto/paint artist |
| Sandro Kath | .. | digital compositor: ScanlineVFX |
| Peng Ke | .. | visual effects |
| Ryan Keely | .. | stereo compositor: Legend 3D |
| Brooke Keesling | .. | visual effects production coordinator: New Deal Studios |
| Trevor Keller | .. | stereo artist: Legend 3D |
| Elaine Kelley | .. | stereo production assistant: Legend 3D |
| James D. Kelly | .. | visual effects photographer: MPC |
| Matthew Kemper | .. | compositor: Legend 3D |
| Michael Kennen | .. | digital artist |
| Christian Kesler | .. | digi matte artist: ILM |
| Nineli Khanian | .. | digital artist |
| Greg Killmaster | .. | creature technical director: ILM |
| Christopher Kilshaw | .. | lead creature effects td: ILM Singapore |
| John Kilshaw | .. | cg supervisor: ILM |
| Tom Kimberley | .. | digital compositor: MPC |
| Perry M. Kimura | .. | scanning and recording |
| Ghiwari Kiran | .. | matchmove artist |
| Paul Kirwan | .. | digital compositor: Rising Sun Pictures |
| Noah Klabunde | .. | lead lighting technical director |
| Katrin Klaiber | .. | cg supervisor |
| Ivo Klaus | .. | cg supervisor: ScanlineVFX |
| Martin Allan Kloner | .. | visual effects editor |
| Claudia Knorr | .. | modelling: ScanlineVFX |
| Eric A. Kohler | .. | associate visual effects producer: Hydraulx |
| Teck Chee Koi | .. | visual effects artist: ILM Singapore |
| Keith Kolod | .. | lead stereo compositor: Legend 3D |
| Jason Kolowski | .. | model maker |
| Dean Koonjul | .. | compositor: Industrial Light & Magic |
| Meier Korbinian | .. | fx artist: ScanlineVFX |
| Justin Kosnikowski | .. | digital compositor: ILM |
| Christian Kratzert | .. | animator: ScanlineVFX |
| S. Gopi Krishna | .. | paint/prep artist: mpc: MPC |
| Markus Kuha | .. | lead compositor: BlueBolt |
| Vikram Kulkarni | .. | digital compositor: MPC |
| Sujay Kumar G. | .. | matchmove artist: The Moving Picture Company |
| Amit Kumar | .. | roto/paint lead |
| Sendil Kumar | .. | visual effects artist |
| James Kuroda | .. | stereoscopic compositor: CIS Hollywood |
| Amit George Kuruvilla | .. | effects technical director: Cinesite |
| Leandre Lagrange | .. | digital artist |
| Sean Lahiff | .. | visual effects editor: Rising Sun Pictures |
| Sweekim Lai | .. | texture artist |
| Somasundaram Lakshmanan | .. | digital artist |
| Zoe Lamaera | .. | senior compositor |
| Anders Langlands | .. | digital fx supervisor: MPC |
| Douglas Larmour | .. | visual effects sequence lead |
| Greg LaSalle | .. | facial motion capture supervisor |
| Guillaume Le Gouez | .. | digital compositor: MPC |
| Peter Leber | .. | production support |
| Florent Lebrun | .. | environment artist |
| Alexander Lee | .. | lighting td: Method Studios |
| Grant Lee | .. | stereo compositor: Legend 3D |
| Jaewook Lee | .. | digital artist: ILM |
| Mia Lee | .. | digital artist |
| Seung-Hun Lee | .. | creature technical director |
| Sun Lee | .. | senior matte painter: Hydraulx |
| Mohen Leo | .. | additional visual effects supervision |
| Luka Leskovsek | .. | compositor: BlueBolt |
| Dan Letarte | .. | visual effects artist |
| Benoit Leveau | .. | software developer |
| Julian Levi | .. | visual effects executive producer: MPC |
| Janet Lewin | .. | visual effects executive producer: ILM |
| Fangfei Li | .. | compositor (as Li Fangfei) |
| Davell Lee Libbett | .. | visual effects coordinator |
| Anu Liikkanen | .. | paint/prep artist |
| Nelson Lim | .. | assistant technical director: ILM |
| Nicholas Lim | .. | assistant technical director: ILM |
| Melissa Lin | .. | digital artist: ILM |
| Katie Linahon | .. | production coordinator: New Deal Studios |
| Kristin Link | .. | stereo production assistant: Legend 3D |
| Richard Little | .. | sequence lead |
| Elizabeth Livingston | .. | stereo production assistant: Legend 3D |
| Flip Livingston | .. | assistant visual effects magenta color artist |
| Victor Lizarraga | .. | cg supervisor: Ollin VFX |
| Brendan Llave | .. | lead stereo artist: Legend 3D |
| Keir Longden | .. | matchmover: Cinesite |
| Anthony Lopez | .. | director of i.t.: Legend 3D |
| Steven Lovell | .. | roto artist: mpc |
| Doug Luberts | .. | production & technical support: ILM |
| Adam Lucas | .. | digital artist: Cinesite |
| Kenneth Lui | .. | digital effects artist |
| Tony Luong | .. | stereo artist: Legend 3D |
| Jonathan Lyons | .. | animator |
| Douglas R. MacMillan | .. | digital artist / effects animation |
| Steve Madsen | .. | pipeline: Cinesite |
| Mike Makara | .. | previsualization artist |
| Suraj Makhija | .. | matchmove artist: The Moving Picture Company |
| Jeffrey Manchester | .. | stereo artist: Legend 3D |
| Manikandan | .. | paint/prep artist |
| Govindan Manivannan | .. | roto artist: The Moving Picture Company |
| Mary E. Manning | .. | pre-visualization lead: Pixel Liberation Front |
| Arnon Manor | .. | visual effects producer: CIS Hollywood |
| Michael Mansueto | .. | stereo artist: Legend 3D |
| Vaibhav Marathe | .. | senior compositor |
| Laura Marcato | .. | digital I/O: Cinesite |
| Mardig Mardirossian | .. | lead stereo artist: Legend 3D |
| Mark Marean | .. | IT coordinator: Legend 3D |
| Sophie Marfleet | .. | lead roto/prep artist |
| Jose L. Marin | .. | digital compositor (as Jose Marin) |
| Robert Marinic | .. | digital artist: ILM |
| Giorgio Marino | .. | digital compositor: MPC |
| Tyler Marino | .. | stereo artist: Legend 3D |
| Josh Marlar | .. | asset technician: Legend 3D |
| Melanie Marlar | .. | stereo coordinator: Legend 3D (as Melanie Farley) |
| Andrew Marquez | .. | lead stereo artist: Legend 3D |
| Kevin Martel | .. | lead animator |
| Edward Martin | .. | matchmover: Cinesite / stereo matchmove artist |
| Ryan Martin | .. | technical director: ILM |
| Fran Martinez | .. | digital compositor |
| Geordie Martinez | .. | creature developer |
| Abner Marín | .. | visual effects artist |
| Tony Masiello | .. | asset technician: Legend 3D |
| Dan Mason | .. | digital models: Cinesite |
| Rachel Matchett | .. | head of production: MPC |
| Dexter Matias | .. | lead stereo artist: Legend 3D |
| Javad Matoorian-Pour | .. | digital compositor |
| Dirk Matzkuhn | .. | digital compositor: ScanlineVFX |
| Dirk Mauche | .. | modelling: ScanlineVFX |
| Marian Mavrovic | .. | compositing supervisor |
| David Mayhew | .. | lead hair and fur artist: MPC |
| Aaron McBride | .. | visual effects art director |
| Elizabeth McClurg | .. | stereo compositor: Legend 3D |
| Marlin McGlone | .. | technical support |
| Brian McGraw | .. | digital artist |
| Scott McInnes | .. | matte artist |
| Robert McInnis | .. | compositing manager: Legend3D |
| Adam McKee | .. | stereo compositor: Legend 3D |
| Nikita McKinder | .. | creature technical director (as Nikita Patel) |
| Fiona McLean | .. | vfx production manager: MPC |
| Antonio Meazzini | .. | digital compositor |
| Naveen Medaram | .. | stereo compositor: Cinesite |
| Alex Meddick | .. | visual effects editor: Rising Sun Pictures |
| Victor F. Medel | .. | visual effects coordinator |
| Luis Jorge Medina | .. | rotoscoping artist |
| Christopher Medley-Pole | .. | technical assistant |
| Greg Meeres-Young | .. | lighting/shot technical director |
| Jignesh Mehta | .. | effects department manager |
| Tobias Meier | .. | lighting technical director: Cinesite |
| Abigail Mendoza | .. | visual effects coordinator |
| David Meny | .. | computer graphics sequence supervisor |
| Rob Menzer | .. | sculptor |
| Anthony Meschi | .. | digital artist: ILM |
| Scott Michelson | .. | executive producer |
| Midhun | .. | rotoscoping artist / visual effects artist |
| Michael Midlock | .. | animator: ILM |
| Michel Mielke | .. | senior vfx producer: ScanlineVFX |
| David Miles | .. | digital production manager: Factory VFX (as David Miles Wolkind) |
| Gavin Miljkovich | .. | visual effects artist |
| Lauren Millar | .. | visual effects producer: Fusion CI Studios |
| Carl Miller | .. | visual effects director of photography |
| Jed Miller | .. | technical assistant |
| Steven Miller | .. | flame artist |
| Giacomo Mineo | .. | digital compositor |
| Alejandro Miranda Palombo | .. | digital compositor |
| Ankit Mishra | .. | digital compositor |
| Tamara Mitchell | .. | digital compositor: Rising Sun Pictures |
| Souvik Mitra | .. | digital artist |
| Mahito Mizobuchi | .. | lead modeler |
| Jambunatha Mn | .. | matchmove artist: The Moving Picture Company |
| Stephen Molyneaux | .. | digital artist |
| Dele Momoh | .. | environment TD: Cinesite |
| Olivier Montero | .. | roto/animation artist |
| Chris F. Moore | .. | visual effects |
| Douglas L. Moore | .. | layout supervisor: ILM |
| Troy Moore | .. | stereoscopic compositing supervisor: Method Studios |
| Yabin Morales | .. | compositor |
| Ismael Moran | .. | stereo artist: Legend 3D |
| Peter Moran | .. | digital artist: Cinesite |
| Pat Moreira | .. | layout artist: Industrial Light & Magic |
| Stephen Morton | .. | visual effects artist |
| Thomas Mouraille | .. | matte painter & digital environment artist: MPC |
| Timothy Mueller | .. | reference photographer: ILM |
| Prasenjit Mukherjee | .. | visual effects artist |
| Prasenjit Mukherjee | .. | roto/paint artist |
| Chris Mulcaster | .. | environment TD: Cinesite |
| Melissa Mullin | .. | digital artist |
| Myles Murphy | .. | digital compositor |
| Paul Murphy | .. | digital models: Cinesite |
| Patrick T. Myers | .. | digital artist: ILM |
| Rajakanna Nagarajan | .. | digital artist |
| Anoop M. Nair | .. | visual effects artist |
| Kishore Nandha | .. | senior matchmove artist |
| Nandhakishore | .. | matchmove & rotoanim artist: mpc |
| Masa Narita | .. | lead cg modeler: Method Studios |
| Marlene Nehls | .. | visual effects coordinator: MPC |
| Ben Nelson | .. | previsualization artist |
| Kenneth Nelson | .. | stereo artist: Legend 3D |
| Shaan Nelson | .. | rotoanim artist: The Moving Picture Company |
| Stephen Newbold | .. | compositing sequence lead: MPC |
| Elliot Newman | .. | asset supervisor |
| Sheau Horng Ng | .. | digital artist: ILM |
| Antony Nguyen | .. | digital artist: MPC |
| Tey Kai Guan Nicholas | .. | modeler: ILM |
| Vincent Niebla | .. | stereographer: Legend 3D |
| Jamie Niman | .. | visual effects artist |
| Nirshid | .. | roto/prep-comp supervisor |
| Lavanya Nobishwaran | .. | digital artist: ILM |
| Sabari Nobishwaran | .. | digital artist |
| Cyrille Nomberg | .. | digital artist: Cinesite |
| James P. Noon | .. | tracking |
| James Noorani | .. | visual effects editorial assistant: mpc |
| Victor Norberg | .. | digital compositor |
| Espen Nordahl | .. | lighting technical director |
| Clare Norman | .. | production and technical support: Cinesite |
| Brett Northcutt | .. | digital matte painting supervisor |
| Candida Nunez | .. | pre-visualization artist |
| Jenni O'Byrne | .. | visual effects editor: ILM |
| Damian O'Farrill | .. | visual effects coordinator: Ollin VFX |
| Jan Oberhauser | .. | pipeline technical director |
| Obrerodelarte | .. | visual effects |
| Jeffrey Odell | .. | visual effects production and technical support |
| Gregory Oehler | .. | visual effects supervisor: CIS Hollywood |
| Michael Off | .. | gaffer VFX unit: new deal studios |
| Stefano Oggeri | .. | visual effects artist |
| Kaori Ogino | .. | creature supervisor |
| Steven Ong | .. | visual effects technical director |
| Arturo Orgaz Casado | .. | lighting technical director |
| Chuck Ostlie | .. | it manager: Legend 3D |
| Aldo Osuna | .. | stereo artist: Legend 3D |
| Gustavo A. Pablik | .. | visual effects coordinator |
| Liana Padilla | .. | stereo artist: Legend 3D |
| Kevin Page | .. | digital matte painter: ILM |
| Eugene Paluso | .. | matchmove/layout |
| Shailendra Kumar Pandey | .. | visual effects artist |
| Suresh Pandi | .. | roto artist: MPC |
| Justin Pangelinan | .. | stereo artist: Legend 3D |
| Gurpreet Singh Pannu | .. | matchmove artist: MPC |
| Stephane Paris | .. | cg supervisor: Cinesite |
| Ian Parra | .. | digital compositor: Ollin Studios |
| Beau Parsons | .. | visual effects coordinator |
| Jamie Pastor | .. | stereo production supervisor: Legend 3D |
| Irshad Patel | .. | digital compositor (as Patel Irshad) |
| Nikul Patel | .. | lidar and cyber tech |
| Trevor Pawlik | .. | visual effects accountant |
| Joseph Payo | .. | data manager |
| Anshul Pendse | .. | rendering technical director: MPC |
| Samuel Perez | .. | CG modeler: yU+co / texture artist: yU+co |
| Victor Perez | .. | digital compositor |
| Angelo Perrotta | .. | digital compositor |
| Joshua Perry | .. | stereo artist: Legend 3D |
| Kiana Petersen | .. | stereo artist: Legend 3D |
| Daniel Pettipher | .. | production management: Cinesite |
| Phil Pham | .. | digital artist: ILM |
| Huan Phan | .. | previsualization artist |
| Sandy Phetchamphone | .. | lead stereo artist: Legend 3D |
| Emma Phillips | .. | visual effects producer |
| Ryan Pilcher | .. | matchmove artist |
| Nick Pill | .. | visual effects artist |
| Jorge Pimentel | .. | lighting technical director |
| Jerome Platteaux | .. | digital artist |
| Paul Poetsch | .. | digital compositor: ScanlineVFX |
| Christian Pokorny | .. | visual effects supervisor: ScanlineVFX |
| John Polyson | .. | visual effects editor: Hydraulx |
| Daniel Pomares González | .. | digital compositor |
| Jason Pomerantz | .. | production supervisor (IMAX version) |
| Ipyana Ponder | .. | stereo artist: Legend 3D / stereo compositing |
| Alexandru Popescu | .. | digital matter painter |
| Nicolas Popravka | .. | digital artist: ILM |
| Devin Porter | .. | data management: Legend 3D |
| Jason Porter | .. | sequence supervisor |
| Daniel Post | .. | digital artist |
| Howard Postley | .. | 3D technical consultant |
| Tim Pounds-Cornish | .. | visual effects production manager |
| Jude Poyer | .. | motion capture performer |
| Biki Prasad | .. | visual effects artist Prana Studios |
| Kukal Prasanth | .. | roto animation: MPC |
| Anna Privett | .. | production and technical support: Cinesite |
| James Prola | .. | stereographer: Legend 3D |
| Jean-Colas Prunier | .. | head of department: MPC |
| Christin Quek | .. | digital artist: ILM |
| Sébastien Quessy | .. | digital effects artist / effects technical director |
| Ryan J. Quinlan | .. | stereoscopic compositor: Method Studios |
| Steven Quinones-Colon | .. | lighting technical director: ILM |
| Simon Rafin | .. | digital compositor |
| Alfredo Ramirez | .. | digital artist |
| Tina Rangel | .. | lead stereo artist: Legend 3D |
| Steve Rawlins | .. | animator: ILM |
| Wajid Raza | .. | assistant technical director: ILM |
| Salahuddin Razul | .. | senior paint artist |
| Philippe Rebours | .. | digital production supervisor |
| Ben Record | .. | visual effects: elements |
| Tom Reed | .. | head of rigging |
| Jason Reese | .. | team lead: Legend 3 D |
| Jason Reese | .. | IT help desk: Legend 3D |
| Markus Reithoffer | .. | digital compositor: MPC |
| Shinichi Rembutsu | .. | fx artist: ScanlineVFX |
| Gareth Repton | .. | digital artist: Cinesite |
| Kevin Reuter | .. | digital effects artist: ILM |
| Spencer Reynolds | .. | research and development: ILM |
| Eddy Richard | .. | digital environment lead: MPC |
| David Richardson | .. | production and technical support: Cinesite |
| Martin Riedel | .. | sequence lead/compositor: MPC |
| Jordi Riera | .. | software developer |
| Jessica Riewe | .. | assistant technical director |
| Alessandro Righi | .. | matchmover: Cinesite |
| Carrie Rishel | .. | visual effects line producer: Cinesite |
| Christian Rivera | .. | data management: Legend 3D / render technical assistant: Legend 3D |
| Richard Rivera | .. | roto and paint lead: Legend 3D |
| Clarence Robello | .. | senior character animator |
| Tracey Roberts | .. | creature effects artist |
| Peter Robertshaw | .. | production and technical support: Cinesite |
| Patrick J. Rodriguez | .. | pre-visualization artist |
| Valeria Romano | .. | digital artist: Cinesite |
| Erasmo P. Romero III | .. | stereo compositor: Legend 3D (as Erasmo Romero) |
| Steve Romero | .. | stereo compositor: Legend 3D |
| Campbell Rose | .. | digital artist: Cinesite |
| Benjamin Ross | .. | matte painting: ScanlineVFX |
| Jason Rosson | .. | visual effects artist |
| Peder Rottiger | .. | stereo artist: Legend 3D |
| Julien Rousseau | .. | digital compositor |
| Isabelle Rousselle | .. | senior digital matte painter: MPC |
| Sean Phillip Rowe | .. | digital film scanner (as Sean Rowe) |
| James Rowell | .. | compositor: ILM |
| Nicole Rowley | .. | visual effects coordinator (as Nicole Montemayor) |
| Gabriel G. Roy | .. | lead compositor: Cinesite |
| Paul Ruiz | .. | stereo compositor: Legend 3D |
| Josephine Rush | .. | compositing coordinator: Legend 3D |
| Katya Ruslanova | .. | digital artist: Cinesite (as Ruslanova Katya) / digital compositor (as Ruslanova Katya) |
| Kelly Ryan | .. | stereo compositor: Legend 3D |
| Chris Rymer | .. | stereo artist: Legend 3D (as Christopher Rymer) |
| Kayte Sabicer | .. | prop maker |
| Sajeev Sadanandan | .. | matchmove artist: The Moving Picture Company |
| Stephanie Saillard | .. | digital compositor: MPC |
| James Salas | .. | stereo compositing coordinator: Legend 3D |
| Jared Salas | .. | stereo production assistant: Legend 3 D |
| Peter Salter | .. | stereo matchmove artist: MPC |
| Mohit Salunke | .. | digital compositor |
| Sean Samuels | .. | digital matte painting artist: MPC |
| Dylan Sanchez | .. | stereo compositor: Legend 3D |
| Mike Sanders | .. | digital supervisor |
| Barry B. Sandrew | .. | chief stereographer: Legend 3D |
| Jared Sandrew | .. | stereoscopic visual effects supervisor: Legend 3D |
| David Sanger | .. | visual effects supervisor: New Deal Studios |
| B.S. Rajkumar Sapate | .. | matchmove artist: The Moving Picture Company |
| Tarkan Sarim | .. | digital artist: MPC |
| Jeremy Sawyer | .. | lead digital compositor: MPC |
| Geoff Sayer | .. | senior compositor |
| Lena Scanlan | .. | digital effects production manager: MPC |
| Michael Scheffler | .. | system administration: ScanlineVFX |
| Roman Schmidt | .. | cg supervisor: ScanlineVFX |
| Kristine Schmitt | .. | stereo artist: Legend 3D (as Kristine McKinney) |
| Ryan Schubert | .. | previs artist |
| Timo Schumacher | .. | fx artist: ScanlineVFX |
| Tom Schwarz | .. | rendering technical director |
| Stephan Schweizer | .. | digital compositor: ScanlineVFX |
| Michele Sciolette | .. | pipeline: Cinesite |
| Simon Scott | .. | animation editor: MPC |
| Dan Seddon | .. | cg supervisor: Method Studios |
| Rene Segura | .. | digital artist: ILM |
| Sajith Sethumadhavan | .. | visual effects artist MPC |
| Gianfranco Sgura | .. | digital compositor |
| Nishet Shah | .. | production and technical support: Cinesite |
| Rasha Shalaby | .. | texture painter |
| Naz Shams | .. | visual effects coordinator |
| Jeff Shank | .. | digital effects: ILM |
| Steven S. Shapiro | .. | stereographer |
| Rahul Sharma | .. | digital artist |
| Paul Sharpe | .. | sequence supervisor |
| Betty Shaw | .. | digital resource supervisor |
| Ravi Shekhar | .. | digital roto and paint supervisor: Prana Studio |
| Michael Shelton | .. | animator: Asylum FX |
| Craig Sheppard | .. | visual effects editor |
| Ceylan Shevket | .. | head of techanim |
| Jay Shindell | .. | visual effects |
| Sachin Shivkar | .. | matchmove Artist: MPC |
| Prateep Siamwalla | .. | tracking |
| Davide Sibilia | .. | effects technical director: MPC |
| Martin Simcock | .. | compositor |
| Tj Singh | .. | matchmover |
| Kris Sison | .. | lead stereo artist: Legend 3D |
| Danny Smith | .. | production and technical support: Cinesite |
| Jakris Smittant | .. | visual effects coordinator: animation |
| Ben Snow | .. | visual effects supervisor: ILM |
| Eva Snyder | .. | compositor: Method Studios |
| Na Song | .. | digital models: Cinesite |
| Sepp Sonntag | .. | digital matte painter: MPC |
| Diego Sotomoro | .. | editorial: Ollin Studio |
| Henry South | .. | cg modeler |
| Jesse Squire | .. | python developer: Legend 3D |
| Elliot Staker | .. | matchmover: Cinesite |
| Simon Stanley-Clamp | .. | visual effects supervisor: Cinesite |
| Martin Stegmayer | .. | digital compositor |
| Billy Stenning | .. | visual effects production assistant |
| Andy Stevens | .. | vfx marketing editor: Cinesite |
| Jamie R. Stewart | .. | digital artist: Cinesite / lead lighting: Cinesite |
| Michele Stocco | .. | lead effects technical director: MPC |
| Yesod Stone | .. | data management: Legend 3D |
| Sheldon Stopsack | .. | lighting supervisor: MPC |
| Colin Strause | .. | compositing supervisor: Hydraulx |
| Greg Strause | .. | visual effects supervisor: Hydraulx |
| Florian Strobl | .. | digital artist |
| Mirek Suchomel | .. | stereoscopic compositor |
| Matt Sumney | .. | second assistant camera: Kerner Optical |
| Hao Sun | .. | roto artist |
| Vinayaga Sundar | .. | digital artist: MPC |
| Richard Surridge | .. | render technical assistant |
| Josh Sutherland | .. | visual effects editor: Hydraulx |
| Josh Swanson | .. | stereo compositor: Legend 3D |
| Scott Swaringen | .. | asset technician: Legend 3D |
| Stephanie Sweeney | .. | roto |
| Jeremy Séguin | .. | digital compositor |
| Stephanie Taubert | .. | digital effects |
| Michael Taylor | .. | production executive: Rising Sun Pictures |
| Paul Taylor | .. | visual effects editor: Rising Sun Pictures |
| Scott Taylor | .. | digital compositor: Bluebolt |
| Jessica Teach | .. | senior staff: ILM |
| Xerxes Tecson | .. | stereo compositor: Legend 3D |
| Juan Carlos Teliz-Haro | .. | stereo artist: Legend 3D |
| Mihail Temelkov | .. | pipeline developer |
| Corinne Teng | .. | visual effects production assistant |
| Kieran Tether | .. | digital artist: ILM |
| Olivier Thibaut | .. | senior software developer: MPC |
| Brian Thomason | .. | stereo compositor: Legend 3D |
| Ashley Tilley | .. | visual effects artist |
| Patrick Timmermann | .. | vfx coordinator: ScanlineVFX |
| Nicholas Tocco | .. | lead stereo artist: Legend 3D |
| Mathilde Tollec | .. | lighting technical director: MPC |
| Helder Tomas | .. | matchmover: Cinesite |
| Sujit Tone | .. | digital compositor |
| Will Towle | .. | camera tracker |
| Ted Trabucco | .. | lead stereo artist: Legend 3D |
| Khuong Tran | .. | stereo compositor: Legend3D |
| Shreedhra Trehan | .. | rotoscopy: MPC |
| Chris Treichel | .. | stereo production: Legend 3D |
| Jamie Tremelling | .. | lighting technical director: MPC |
| Patrick Trienta | .. | stereo artist: Legend 3D |
| Christine Troianello | .. | roto/prep supervisor: MPC |
| Scott G. Trosclair | .. | compositing artist: ILM |
| Bryan Trowbridge | .. | technical assistant: ILM |
| Denis Trutanic | .. | senior layout artist: ILM |
| Adrian Tsao | .. | lighting technical director |
| Melissa Tseng | .. | digital artist |
| Doug Tubach | .. | digital artist: ILM |
| James Turner | .. | vfx production assistant: MPC |
| Shraddha Uppu | .. | roto artist: Aka Shraddha Borkar |
| Reuben Uy | .. | assistant technical director (as Reuben Bulawin Uy) |
| Jeff Vacanti | .. | animator |
| Arnaud Valette | .. | lead texture artist: MPC |
| Vladimir Valovic | .. | digital compositor: MPC |
| Gert Van Dermeersch | .. | digital artist: Cinesite |
| Tom van Dop | .. | digital compositor: Cinesite |
| Chris Van Dyck | .. | digital compositor: ILM |
| Jozef van Eenbergen | .. | pipeline developer |
| John Van Hoey Smith | .. | digital compositor |
| Courtney Vanderslice | .. | production management: Cinesite |
| Vasantharajan.g.d | .. | matchmove artist |
| Santiago Vasquez | .. | stereo artist: Legend 3D |
| Sebastien Veilleux | .. | digital compositor |
| Rajesh Velayudhan | .. | matchmove & rotoanim artist: mpc |
| Monica Verdu | .. | senior digital compositor: Cinesite |
| Duarte Victorino | .. | effects technical director: MPC |
| Sukumaran Lalithambika Vijin | .. | senior roto/paint artist: MPC |
| Corinne Villa | .. | visual effects assistant editor |
| Joseph Villa | .. | stereo compositor: Legend 3D |
| Archie Villanueva | .. | roto artist: Hirota Paint Industries |
| Angel Villaseñor | .. | visual effects artist |
| Gopalarathinam Viswanathan | .. | digital artist |
| Alejandro Diego von Dorrer | .. | visual effects executive: Ollin VFX |
| Kinjal Vora | .. | visual effects artist |
| John Walker | .. | visual effects artist |
| Tara Walker | .. | digital artist: Cinesite |
| Mike Wallner | .. | visual effects artist: Fusion CI Studios |
| Nancy Wang | .. | editorial manager: Legend 3D |
| Xiaolei Wang | .. | lead stereo artist: Legend 3D |
| Loicia Ware | .. | stereo artist: Legend 3D |
| Stuart Warne | .. | visual effects editor |
| Ben Warner | .. | digital compositor: ILM |
| Paige Warner | .. | digital artist |
| Talmage Watson | .. | digital artist: ILM |
| José Manuel Weil | .. | lighting/shading: ScanlineVFX |
| Gregory Weiner | .. | creature technical director: ILM |
| David Whitehead | .. | asset technician: Legend 3D |
| Nick Whiteley | .. | compositor: Cinesite |
| Shane Christopher Wicklund | .. | stereoscopic compositor: Method Studios |
| Jake Wicks | .. | stereo compositor: Legend 3D |
| Todd Widup | .. | senior rigger: MPC |
| Ryan Wiederkehr | .. | vfx production manager: ILM (as Ryan Weiderkehr) |
| Ruth Wiegand | .. | rigging artist: MPC |
| Alex Wilkie | .. | pipeline: Cinesite |
| Adam Will | .. | lead stereo artist: Legend 3D |
| Aaron Williams | .. | stereo artist: Legend 3D |
| Chris 'Willie' Williams | .. | lead previsualization artist |
| J. Adam Williams | .. | lead stereo artist: Legend 3D |
| Tommy Williamson | .. | stereoscopic supervisor (as Tom Williamson) |
| Gina Willis | .. | visual effects coordinator: Disney |
| Scott Willman | .. | digital compositor |
| Matthew T. Wilson | .. | digital compositor (as Matt Wilson) |
| Sally Wilson | .. | look development artist: MPC / texture artist: MPC |
| Trisha Wilson | .. | asset manager: Legend 3D |
| Blake Winder | .. | digital compositor: MPC |
| Florian Witzel | .. | fx artist: ILM |
| Richard Ryan Wojdyuski | .. | stereo compositor: Legend 3D |
| Thorsten Wolf | .. | digital artist: Cinesite |
| Eddy Wolfson | .. | stereo compositor: Legend 3D |
| Don Wong | .. | effects artist: ILM |
| Eric Wong | .. | creature technical director: ILM |
| Jamie Wood | .. | compositing supervisor: Cinesite |
| Melody Woodford | .. | head of production: Method Studios |
| Rory Woodford | .. | digital modeler: MPC |
| Kevin Wooley | .. | digital artist |
| Bjoern Wortmann | .. | vfx editor: ScanlineVFX |
| Jonathan Wright | .. | lead stereo artist |
| Fu Xiao | .. | roto artist |
| Xye | .. | tracking |
| Kamlesh Yadav | .. | visual effects artist |
| Steve Yamamoto | .. | previsualization supervisor |
| Momo Yang | .. | layout artist: ILM |
| Aviv Yaron | .. | vfx stills photography: Cinesite |
| Long Yinghan | .. | digital artist |
| Fabien Yorgandjian | .. | modeling artist |
| Colin Yu | .. | lead stereographer: Legend 3D |
| Dean Yurke | .. | sequence supervisor |
| Douglas Zablocki | .. | stereo compositor: Legend 3D |
| Ismat Zaidi | .. | executive producer: ScanlineVFX |
| Alessandro Zanforlin | .. | digital compositor: MPC |
| Fabio Zapata | .. | tracking/layout supervisor: Method Studios |
| Estívaliz Zaragoza | .. | visual effects production assistant: Ollin Studio |
| Michael Zavala | .. | 2D production manager: hy*drau'lx vfx |
| David Zbriger | .. | technical manager of global production: ILM |
| Ian Abbott | .. | production and technical support: Cinesite (uncredited) |
| Isa Alsup | .. | digital effects supervisior (uncredited) / stereoscopic compositor: titles (uncredited) |
| Keith Barton | .. | production support: Cinesite (uncredited) |
| Brendan Byrd | .. | visual effects production assistant (uncredited) |
| Christopher Collis | .. | visual effects editorial assistant: MPC (uncredited) |
| Tommaso Corona | .. | digital compositor (uncredited) |
| Gary Couto | .. | compositor (uncredited) |
| Jason Cuenco | .. | assistant technical director: modeling (uncredited) |
| Adam J. Dunn | .. | stereoscopic compositor (uncredited) |
| Tristan Fisher | .. | visual effects editorial assistant: Bluebolt (uncredited) |
| Evan Fulton | .. | visual effects production assistant (uncredited) |
| Michael Galbraith | .. | visual effects (uncredited) |
| Darnie Galloway | .. | visual effects production coordinator: Kerner Optical (uncredited) |
| P. Whitney Gearin | .. | visual effects producer: Method Studios (uncredited) |
| Bridget Maria Goodman | .. | digital effects artist (uncredited) |
| Ankur Goyal | .. | assistant technical director (uncredited) |
| Adam Gritt | .. | effects software developer: MPC (uncredited) |
| Ricardo Guevara | .. | stereo artist: Legend 3D (uncredited) |
| Andrew Harris | .. | stereo artist: Legend 3D (uncredited) |
| Simon Herden | .. | rotoscope artist (uncredited) |
| Michael Honrada | .. | digital artist: ILM (uncredited) |
| Dorne Huebler | .. | digital compositor: ILM (uncredited) |
| Susan Immonen | .. | rotoscope artist (uncredited) |
| Prerana Jaiswal | .. | paint/prep artist: MPC (uncredited) |
| Chawalit Jirattikansakul | .. | rotomation artist (uncredited) |
| Jean Le Koh | .. | digital artist: ILM (uncredited) |
| Juan Carlos Lepe | .. | digital compositor: Ollin Studio (uncredited) |
| YuanJing Lin | .. | technical assistant (uncredited) |
| Ronald Mallet | .. | research and development: ILM (uncredited) |
| Douglas McHale | .. | visual effects (uncredited) |
| Buhas Mohammedunny P. | .. | matchmove artist: The Moving Picture Company (uncredited) |
| Robert Molholm | .. | color science/imaging r&d (uncredited) |
| Eddie Offermann | .. | software developer (uncredited) / visual effects color (uncredited) |
| Ryan Parker | .. | stereo artist: Legend 3D (uncredited) |
| Uppu Pavanrajesh | .. | compositor (uncredited) |
| Joshua Perry | .. | associate stereographer: Legend 3D (uncredited) |
| David Settlow | .. | stereo artist: Legend 3 D (uncredited) |
| Ian Strelsky | .. | stereo production supervisor: Legend3D (uncredited) |
| Bill Sturgeon | .. | storyboard coordinator (uncredited) |
| Adrian Teng | .. | digital compositor (uncredited) |
| Jeremy Therrien | .. | technical assistant (uncredited) |
| Mark Tompkins | .. | concept artist: MPC (uncredited) |
| Leigh van der Byl | .. | texture painter: The Moving Picture Company (uncredited) |
| Jonathan Vaughn | .. | visual effects artist (uncredited) |
| Mark Webb | .. | visual effects coordinator: Bluebolt (uncredited) |
| Dan Wheaton | .. | digital matte artist (uncredited) |
Stunts
| Tom Aitken | .. | stunts |
| Joey Anaya | .. | stunt double: Paul Baisley |
| Greg Anthony | .. | stunt performer |
| Mark Archer | .. | stunt double / stunts |
| Randall Archer | .. | stunts |
| Cane Armitage | .. | kings guard |
| Chase Armitage | .. | stunts |
| Nina Armstrong | .. | stunts |
| Heather Arthur | .. | stunt double: Astrid Berges-Frisbey |
| Gary Arthurs | .. | stunt performer |
| Jennifer Badger | .. | stunt double: Penelope Cruz |
| Frank Bakker | .. | stunts |
| Helena Barrett | .. | stunts |
| Daniel W. Barringer | .. | assistant stunt coordinator |
| Nathan Barris | .. | stunts |
| Stuart Boother | .. | stunts |
| Steve Boyles | .. | stunts |
| Ryan J. Brant | .. | stunt performer |
| Adam Brashaw | .. | stunt performer |
| Alex Britton | .. | stunts |
| Dan Brown | .. | stunt double: Steve Evets |
| Dan Burman | .. | special action performer |
| Andy Butcher | .. | stunts |
| Allison Caetano | .. | stunt performer |
| Keith Campbell | .. | stunt performer |
| Marla Casey | .. | stunt double |
| Pablo Casillas | .. | stunt performer |
| Alex Chansky | .. | stunts |
| Ilram Choi | .. | stunt performer |
| Nick Chopping | .. | stunt performer |
| Jonathan Cohen | .. | stunt performer |
| Brian Patrick Collins | .. | stunt double |
| Richard Cory | .. | stunts |
| Brycen Counts | .. | stunt double |
| James Cox | .. | stunt performer |
| Phil Culotta | .. | stunt performer |
| Matt Da Silva | .. | stunt performer |
| Ray De-Haan | .. | stunts |
| J. Mark Donaldson | .. | utility stunts |
| Shauna Duggins | .. | stunts |
| Jayson Dumenigo | .. | stunts |
| Jeremy Dunn | .. | stunt performer |
| Thomas DuPont | .. | fight coordinator / stunt double: Geoffrey Rush |
| Andy Dylan | .. | stunt performer |
| Kofi Elam | .. | stunt performer |
| Paul Eliopoulos | .. | stunt performer |
| Fernando Escovar | .. | stunts |
| Dan Euston | .. | stunt performer |
| Roel Failma | .. | stunts |
| Bradley Farmer | .. | stunt performer |
| Victor Favrin | .. | stunt performer |
| Dave Fisher | .. | stunts |
| Elaine Ford | .. | stunt performer |
| Sebastian Foxx | .. | stunts |
| Grace Franzl | .. | stunts |
| Sarah Franzl | .. | assistant stunt coordinator |
| Aldonio Danny Frietas | .. | stunt performer (as Aldonio Danny Freitas) / stunts (as Aldonio Danny Freitas) |
| Kylie Furneaux | .. | stunt performer |
| Krystof Hansbury | .. | winch op |
| Richard Hansen | .. | stunts |
| Bobby Holland Hanton | .. | stunt performer |
| Paul Harford | .. | stunt rigger |
| Sam Hargrave | .. | stunt performer |
| Adam Hart | .. | stunts |
| Zac Henry | .. | stunt performer |
| Nick Hobbs | .. | stunts: UK |
| Emily Hopkins | .. | utility stunts |
| Zach Hudson | .. | stunt double: Blackbeard (as Zachary Hudson) |
| Jason Hunjan | .. | stunt performer |
| Eunice Huthart | .. | stunts |
| Precious Jenkins | .. | stunts (as Precious Garrett) / stunts |
| Laszlo Juhász | .. | stunt carriage driver |
| Azmyth Kaminski | .. | stunt performer |
| Ian Kay | .. | Stunt double: Robbie Kay |
| Tolga Kenan | .. | stunts |
| Mandy Kowalski | .. | stunts |
| John Koyama | .. | stunt performer |
| Efka Kvaraciejus | .. | stunt performer |
| Charlotte Kyle | .. | Assistant to George Marshall Ruge |
| Paul Lacovara | .. | stunt performer |
| Matt Lasky | .. | stunts |
| Danny Le Boyer | .. | stunt performer |
| Don Lee | .. | stunt performer |
| Michelle Lee | .. | stunts |
| Stephanie Lelievre | .. | stunts |
| Christopher Leps | .. | stunt double: Johnny Depp |
| Bethany Levy | .. | stunt performer |
| Michael Li | .. | stunts |
| Kurt D. Lott | .. | stunt double / stunt rigging coordinator |
| Brian Machleit | .. | stunts |
| Marc Mailley | .. | stunt performer |
| Daniel F. Malone | .. | utility stunts |
| Jamie A. Marchetti | .. | stunts |
| Rob Mars | .. | stunt actor |
| Mark McDaniels | .. | stunt performer |
| Lee McDermott | .. | stunts |
| Nick McKinless | .. | stunt performer |
| Andy Merchant | .. | stunts |
| Dorenda Moore | .. | stunts |
| Tom Morga | .. | stunts |
| Rory Mulroe | .. | stunts |
| John Nania | .. | stunts |
| Brian Nickels | .. | stunts: UK |
| Enric Ortuno | .. | stunts |
| Claudio Pacifico | .. | stunt double |
| Jim Palmer | .. | stunts |
| Heidi Pascoe | .. | stunts |
| Ian Pead | .. | stunt double |
| Justin Pearson | .. | stunt double / stunt double: Captain of the Guard / stunt performer |
| Peter Pedrero | .. | stunt performer: soldier |
| Martin Pemberton | .. | stunts |
| Norb Phillips | .. | stunts |
| Andy Pilgrim | .. | stunt performer |
| Chris Pollard | .. | stunt performer / stunts |
| Greg Powell | .. | stunt coordinator |
| Tilly Powell | .. | stunt performer |
| Dominic Preece | .. | stunt performer / stunts |
| Ming Qiu | .. | stunts |
| Charles Ramsay | .. | stunts |
| George Marshall Ruge | .. | stunt coordinator |
| Alison Ryan | .. | stunt performer |
| Denise Ryan | .. | stunt performer |
| Jade Ryusaki | .. | stunts |
| Fabio Santos | .. | stunt performer |
| Gregg Sargeant | .. | stunt double |
| Marc Scizak | .. | stunts |
| Gordon Seed | .. | stunt performer |
| Matt Sherren | .. | stunt double |
| Mark Slaughter | .. | stunts |
| Mark Rhino Smith | .. | stunt performer (as Rhino) |
| Buddy Sosthand | .. | stunts |
| Mark Southworth | .. | stunts |
| Gary Ray Stearns | .. | stunt double |
| Matthew Stirling | .. | stunt performer |
| John Street | .. | stunt performer |
| Ryan Stuart | .. | stunt performer |
| Mens-Sana Tamakloe | .. | stunt double: Emerson Tuitt Malcolm |
| David Tanner | .. | safety diver |
| Roy Taylor | .. | stunt performer |
| Alexander Temmink | .. | stunt performer / stunt performer: horseback |
| Bryan Thompson | .. | stunt double |
| Trampas Thompson | .. | stunt performer |
| Aaron Toney | .. | utility stunts |
| Arran Topham | .. | stunt performer |
| Pete Turner | .. | stunt performer |
| Ian van Temperley | .. | stunt double: Greg Ellis |
| Vanessa Vander Pluym | .. | stunt performer (as Van Vander Pluym) |
| Mark Vanselow | .. | stunt performer |
| Pablo Verdejo | .. | stunt performer |
| Ami Verge | .. | stunt coordinator assistant |
| Cord Walker | .. | utility stunts |
| Andy Wareham | .. | stunt performer |
| Calvin Warrington-Heasman | .. | stunts |
| Marlow Warrington-Mattei | .. | stunt performer |
| Reg Wayment | .. | stunt performer |
| Webster Whinery | .. | stunts |
| Martin Wilde | .. | stunts |
| Brian J. Williams | .. | stunts |
| Jeff Wolfe | .. | stunt performer |
| Liang Yang | .. | stunt double |
| Eddie Yansick | .. | stunt performer |
| Kofi Yiadom | .. | stunt performer |
| Lisa Connell | .. | stunts (uncredited) |
| Andrew Foster | .. | stunts (uncredited) |
| Mike Robertson | .. | rigger (uncredited) |
Camera and Electrical Department
| Rylan Akama | .. | assistant camera |
| Micael Albrecht | .. | balloon technician |
| Neil Andrea | .. | underwater camera: EPK |
| Dave Armstrong | .. | grip (as David Armstrong) |
| David Ashby | .. | grip: second unit |
| Danny Ault | .. | additional rigging gaffer |
| Adam Austin | .. | libra head operator |
| Stephen Bacquet | .. | electrician |
| Jesse Bactat | .. | dimmer technician |
| Darren Bailey | .. | grips libra technician |
| Chris Bangma | .. | libra head technician |
| Jose F. Barrios | .. | rigging grip |
| Chad C. Barrow | .. | second unit: best boy |
| Don Bennett | .. | rigging grip (as Don Bennet) |
| Guy Bennett | .. | grip: second unit |
| Michole Bergstrom | .. | underwater camera assistant |
| Matthew Berning | .. | Technocrane Op.: 2nd unit L.A. |
| Alfie Biddle | .. | second assistant camera |
| Robert Binnall | .. | camera operator: 'a'camera 2nd unit |
| Marek Bojsza | .. | lighting technician |
| John Bonnin | .. | Libra head operator |
| Kevin Boyd | .. | key hd3d video assist |
| Emanuel Carrión | .. | lighting technician: Puerto Rico |
| Alejandro J. Castillo | .. | lighting technician: Los Angeles unit |
| Kevin Celi | .. | digital imaging technician |
| R. Adam Chambers | .. | second unit: gaffer |
| Don Chong | .. | electrician |
| Keith Collea | .. | additional stereographer |
| Jajaira Corria | .. | digital imaging technician: second unit |
| Daniel Cotroneo | .. | lighting technician: second unit |
| Michael Patrick Cronin | .. | grip |
| Rick Crum | .. | lighting technician |
| Jason Cuddy | .. | video assistant: second unit |
| Charles Cullen | .. | lamp operator |
| John Curran | .. | grip |
| James 'Spud' Danicic | .. | edge head technician |
| Cameron Davidson | .. | video assistant |
| Carlos De Carvalho | .. | first assistant camera: 'b' camera |
| Simon De Glanville | .. | stereographer: second unit |
| Hopi Demattio | .. | underwater focus puller |
| Gregory Doi | .. | electrician |
| Djordje Dojcinovic | .. | production assistant |
| Tommy Donald | .. | best boy grip: second unit |
| Michael Duarte | .. | best boy grip |
| Andrew Dumas | .. | 3D system technician |
| Elliot Dupuy | .. | second assistant camera |
| Martin Elvin | .. | crane technician: second unit, UK |
| Adam W. Erler | .. | grip |
| Mark 'Rocky' Evans | .. | gaffer: second unit (as Mark Evans) |
| Perry Evans | .. | gaffer |
| Francesco Ferrari | .. | second assistant camera: dailies |
| Anna Fleischmann | .. | camera trainee: second unit |
| Bryan Fletchall | .. | technocrane operator |
| Brandon Flohr | .. | grip |
| Steve Freebairn | .. | data management supervisor |
| Dave Freeth | .. | libra technician |
| Emma Friend | .. | underwater second assistant camera |
| Yuriy Fuks | .. | flight head tech |
| Jake Funk | .. | grip |
| Steve Gainer | .. | camera operator: additional photography, second unit |
| Billy Gamble | .. | electrician |
| Todd Geritz | .. | grip |
| James Goldman | .. | additional stereographer |
| Danny Gonzalez | .. | lighting technician |
| David González | .. | rigging grip |
| Michael J. Gregg | .. | grip: Hawaii |
| Andrew Haddock | .. | video operator |
| Jimmy Harritos | .. | rigging electrician |
| Don Hayashi | .. | assistant camera: opening title sequence |
| Ricky Hayner | .. | data manager |
| Nate Heartt | .. | red camera technician |
| Frank Helbig | .. | gaffer |
| Jeroen Hendriks | .. | red camera data supervisor |
| Ishmail Hills | .. | rigging electrician: Hawaii |
| Zach Hilton | .. | data manager |
| Patrick Hoeschen | .. | assistant chief lighting technician |
| John Holmes | .. | first assistant camera: 'b' camera: second unit |
| Robert Howie | .. | digital imaging technician: VFX Unit |
| Rick James | .. | 3D Video Playback Assistant |
| Jason Jensen | .. | 3d system technician |
| Kale Jessen | .. | HD 3D video assist operator |
| James Johenning | .. | video utility |
| Jeb Johenning | .. | Qtake Video Assist Operator |
| Chris Owen Jones | .. | assistant camera: visual fx unit (as Christopher Jones) |
| Neirin Jones | .. | digital imaging technician: London Unit (as Nye Jones) |
| Richard Jones | .. | grip |
| Callum Just | .. | digital imaging technician: London unit |
| Michael Kelem | .. | aerial director of photography |
| Ted Kennedy | .. | rigging grip |
| Zachary Kim | .. | rigging electrician |
| Don King | .. | underwater camera operator: Hawaii |
| Luke Knight | .. | assistant digital imaging technician: second unit dailies |
| Eric Laudadio | .. | first assistant camera: second unit (as Eric R. Laudadio) |
| Paul Legall | .. | crane technician |
| Scott Lisetor | .. | electrician |
| Trevor Loomis | .. | a camera first assistant |
| Patrick Loungway | .. | director of photography: second unit |
| Iain Lowe | .. | hod electrical rigger |
| David Luckenbach | .. | 'b' camera / steadicam operator |
| Susan MacDonald | .. | second assistant camera: dailies |
| Iain MacKay | .. | second assistant camera (as Iain Mackay) |
| Vince Madden | .. | chargehand rigging electrician |
| Santiago Benet Mari | .. | lighting technician: Puerto Rico |
| Frankie Martinez | .. | electrician |
| Jason Marvel | .. | BTS/EPK |
| Greg Mayer | .. | rigging electric best boy |
| Carson E. Mayne | .. | rigging electrician |
| Timothy McCrary | .. | underwater lighting |
| Roger Meilink | .. | rigging gaffer |
| Jamie Metzger | .. | digital imaging technician: VFX unit |
| John D. Miller | .. | best boy grip |
| Jamie Mills | .. | lighting technician |
| Titus Mischke | .. | grip |
| Tom Mitchell | .. | HD 3D video assist operator: second unit |
| Anthony Mollicone | .. | rigging grip |
| David Morgan | .. | camera operator: second unit |
| Peter Mountain | .. | still photographer |
| Christian Munoz-Donoso | .. | additional photography |
| Peter Myslowski | .. | grip |
| Keala Nakanelua | .. | rigging grip |
| Adam Neas | .. | grip (as Adam George Neas) |
| Andy Neddermeyer | .. | video assist: Kerner vfx |
| Nino Neuboeck | .. | underwater first assistant camera |
| Ryan Nguyen | .. | digital imaging technician |
| David B. Nowell | .. | aerial director of photography |
| Felix Nunez | .. | grip |
| Michael Orr | .. | rigging grip |
| Juan Carlos Ortiz-Duran | .. | camera data supervisor: second unit |
| Gavin Overstall | .. | 3d stereo assistant |
| Michael E. Pacheco | .. | rigging grip |
| Ryan Pacheco | .. | rigging best boy |
| Robert Palmer | .. | first assistant camera |
| Chris Parks | .. | 3D stereographer: London unit |
| Myron Parran | .. | first assistant camera: additional photography |
| Angel Pastrana | .. | best boy grip |
| Lee Perkins | .. | electrician |
| Becky Pescod | .. | video trainee |
| J. Michael Popovich | .. | key grip |
| Jonathan Prime | .. | still photographer: second unit |
| Miles Proudfoot | .. | first assistant camera |
| Daniel Todd Ramsey | .. | vtr utility |
| Richard Rasmussen | .. | lighting console programmer |
| Dominic Rau | .. | HD 3D video assist operator |
| Nick Ray | .. | key grip: second unit |
| James Ray-Leary | .. | grip |
| Jasinto Reyes | .. | lighting technician: Puerto Rico (as Jacinto Reyes) |
| Marc 'Aina' Ribuca | .. | electrician |
| Tony Roberts | .. | electrical rigger |
| Peter Robertson | .. | camera operator: steadicam |
| Avi Roffman | .. | lighting technician |
| Dennis Rogers | .. | 3d rig technician |
| Chis Rountree | .. | grip |
| Chris Rusby | .. | additional grip: second unit |
| Maninder K. Saini | .. | digital imaging technician: 2nd unit |
| Eric Sandlin | .. | rigging electric gang boss |
| Francesco Sauta | .. | second assistant camera: 'c' camera, second unit |
| John Savedra | .. | lighting technician |
| Tuiaana Scanlan | .. | Rigging Grip |
| Martin Schaer | .. | camera operator |
| Cory Schulthies | .. | data manager |
| William Self | .. | rigging electrician: Hawaii |
| Lukas Seno | .. | rigging electrician |
| Robert Settlemire | .. | second assistant camera: underwater unit |
| Jay Sheveck | .. | crane technician: Technocrane: second unit |
| David Sinfield | .. | best boy: second unit / lighting technician |
| John Skotchdopole | .. | camera operator |
| Martin Smith | .. | gaffer: vfx unit |
| Matthew J. Smith | .. | 3D stereo assistant: London unit (as Matt Smith) |
| Mario Spanna | .. | libra head technician: second unit, UK |
| Danny Spencer | .. | second unit stereographer |
| Tom Stansfield | .. | daily grip trainee |
| Joe Steel | .. | digital imaging technician: London unit |
| Robert Stoneman | .. | camera 'b' jib operator: second unit |
| Matt Sumney | .. | 2nd assistant camera: 2nd unit |
| Christian Swain | .. | camera trainee: second unit |
| Rafael E. Sánchez | .. | gaffer |
| Jason Talbert | .. | dolly grip |
| Alex Tate | .. | grip: second unit |
| Joshua D. Thatcher | .. | lighting console programmer |
| Dave Thurlow | .. | balloon light technician |
| Don Tomich | .. | rigging electrician |
| Andrew Trewartha | .. | q take operator |
| Murren Tullett | .. | assistant digital imaging technician: second unit |
| Mike Valentine | .. | underwater camera operator |
| Raimar van den Bylaardt II | .. | rigging electric |
| Karl Vindler | .. | digital video assist operator |
| Tom Walden | .. | digital utility |
| Pete Wallington | .. | digital imaging technician: London Unit |
| Benjamin Michael Wearing | .. | digital imaging technician assistant: London unit |
| Mark H. Weingartner | .. | stereographer: second unit |
| Doug Weinmann | .. | electrician |
| Martyn Welland | .. | electrician |
| David Allen West | .. | 3d systems technician |
| Paul Wheeldon | .. | assistant camera |
| Ryan White | .. | rigging technician |
| Andy Woodcock | .. | grip trainee |
| Michael Woodside | .. | electrician |
| Michael Yaeger | .. | second assistant camera: second unit |
| Peter Zuccarini | .. | underwater director of photography |
| Norman Akau | .. | rigging grip: Hawaii (uncredited) |
| Craig Cockerill | .. | additional underwater camera operator (uncredited) / second unit: additional camera operator (uncredited) |
| Larry Hurt | .. | russian arm technician (uncredited) |
| Ian Speed | .. | libra technician (uncredited) |
| Santiago Yniguez | .. | rf technician (uncredited) |
Animation Department
| Peta Bayley | .. | lead animator |
| Santiago Colomo | .. | animator |
| Maria Goodale | .. | animator |
| Geoff Hemphill | .. | animator |
| Sandy Heslop | .. | animator |
| Alex Hislop | .. | animator |
| Ryan Hood | .. | animator |
| Louis Jones | .. | animator: ILM |
| Shawn Miller | .. | animator: ILM |
| Stephen Moros | .. | layout artist |
| Jess Morris | .. | animator |
| Peter Panton | .. | animator |
| Dony Permedi | .. | post-viz animator |
| Matt Robbins | .. | key greens supervisor |
| Isaia Robins | .. | on set greensman |
| Spencer Smith | .. | on set greensman |
Casting Department
| Sande Alessi | .. | extras casting |
| Solomon Artistes | .. | extras casting |
| Kristan Berona | .. | extras casting |
| Elizabeth Chodar | .. | casting assistant |
| Sophie Grimsditch | .. | casting assistant |
| Barbara Harris | .. | adr voice casting |
| Jeremy Johnson | .. | extras casting assistant |
| Kirsty Kinnear | .. | casting associate: uk |
| Kate McLaughlin | .. | extras casting: UK |
| George Moss | .. | extras casting |
| Mike Passine | .. | extras casting |
| KiKi Yoshimoto | .. | casting assistant |
| Sarah Bason | .. | extras casting assistant (uncredited) |
| Guy Yosub | .. | extras casting assistant (uncredited) |
Costume and Wardrobe Department
| Ben Allard | .. | costume trainee |
| Cathryn Avison | .. | embroidery designer/maker |
| Mollie Barr | .. | costumer |
| David Bethell | .. | head costume prop maker |
| Kaniez Braganza | .. | alterations |
| Michele Carragher | .. | costume maker |
| Jean Carson | .. | additional set costumer |
| Cory Ching | .. | set costumer |
| Mairi Chisholm | .. | costumer |
| Rachel Chrisp | .. | set costumer |
| Tracy Collins | .. | ager/dyer |
| Genevieve Cox | .. | costume trainee |
| Saffron Cullane | .. | costume maker |
| Stefano De Nardis | .. | costume workshop supervisor |
| Lucy Denny | .. | chief cutter/fitter |
| Joe Diaz | .. | set costumer |
| Dallas D. Dornan | .. | costumer |
| Charlotte Finlay | .. | costume supervisor: UK |
| Margie Fortune | .. | assistant costume designer |
| Ian Foweraker | .. | set costumer |
| Warren Haigh | .. | costume prop maker |
| Scott R. Hankins | .. | principal costumer |
| Sophie Hart-Walsh | .. | costume assistant |
| Caroline Hickman | .. | costume design assistant |
| Stacy Horn | .. | costume supervisor |
| Andrew Hunt | .. | wardrobe master |
| Helen Jerome | .. | costume assistant |
| Matthew Jerome | .. | set costumer |
| Melody Koerber | .. | costumer |
| Noel Leonard | .. | set costumer |
| Catherine Lovett | .. | costumer |
| Philip Maldonado | .. | costumer |
| Marina Marit | .. | costumer: Mr. Depp |
| Elizabeth McEntire Williams | .. | costume coordinator |
| Sarah Moore | .. | chief costume dyer/ager |
| Shirley Nevin | .. | crowd wardrobe mistress |
| Sophie Norinder | .. | costumer: dailies |
| John Norster | .. | associate costume designer |
| Suzy Perry | .. | set costumer (as Suzanne Robertson) |
| Jessica Phillips | .. | costume trainee |
| Jennifer Powell | .. | costume trainee |
| Carol Quiroz | .. | key costumer |
| Jason Rainey | .. | ager/dyer |
| Heather Rayat | .. | costume maker |
| Laura Renouf | .. | assistant costume breakdown artist |
| Adam Roach | .. | set costumer |
| Sarah Robinson | .. | costume coordinator |
| Dorothy Sarafoglou | .. | assistant costume buyer |
| James Shuttleworth | .. | costume trainee |
| Reese Spensley | .. | costumer |
| Lorie Young Stone | .. | costumer (as Lorie Shew) |
| Chandra Telfer | .. | costume ager/dyer (as Chandra Moore) |
| Maurizio Torti | .. | costumer |
| Cathie Valdovino | .. | tailor |
| Ros Ward | .. | costume buyer |
| Darrell Warner | .. | costume illustrator |
| Cristy Watson | .. | costume assistant |
| Philippa Wood | .. | costume department coordinator |
| Tyra Youland | .. | costume ager/dyer |
| Jessica Dalager | .. | set costumer (uncredited) |
Editorial Department
| Judith Babcock | .. | technical supervisor dailies |
| Mark Bankhead | .. | dailies assistant |
| Ryan Bennett | .. | digital intermediate colorist |
| Sarah Broshar | .. | additional assistant editor |
| Paul Carlin | .. | digital intermediate editor |
| Michael Cioni | .. | digital consultant |
| Adam M. Duthie | .. | assistant editor |
| Siggy Ferstl | .. | digital intermediate colorist |
| Jason Fields | .. | post-production assistant |
| Travis Flynn | .. | 3D stereo assist |
| Jordan Fox | .. | 3D digital intermediate colorist assist |
| Katie Gault | .. | post-production assistant |
| A.W. Gryphon | .. | post-production coordinator: Disney |
| Michael Kahn | .. | additional editor |
| Andy Kaplan | .. | senior digital intermediate producer |
| Joe Ken | .. | digital intermediate editor: Company 3 |
| Daphne Lambrinou | .. | post-production supervisor |
| Michael Landon | .. | digital intermediate editor |
| Dave Lee | .. | colorist dailies (as David Lee) |
| Richard B. Molina | .. | assistant editor |
| Ryan R. Moos | .. | assistant editor |
| Stephen Nakamura | .. | digital intermediate colorist |
| Shannon O'Neill | .. | post-production assistant |
| Warren Paeff | .. | first assistant editor |
| Nicoletta Perdikos | .. | editorial production assistant |
| Joe Pestana | .. | dailies assistant |
| Brett M. Reed | .. | first assistant editor (as Brett Reed) |
| Stephen Regnier | .. | render technician: Company 3 |
| Erik Rogers | .. | senior digital intermediate producer |
| Sean Phillip Rowe | .. | digital film scanner (as Sean Rowe) |
| Adrian Scherger | .. | stereo assistant editor: Legend 3D |
| Patrick J. Smith | .. | assistant editor |
| Stefan Sonnenfeld | .. | digital intermediate colorist |
| Ian Sullivan | .. | digital intermediate accountant |
| Arthur Tremeau | .. | dailies producer |
| Dimitris Tzetzas | .. | apprentice editor |
| Jeff Zacha | .. | post production executive |
| Shane Lefler | .. | colorist (uncredited) / on-line editor (uncredited) |
| Clare McKee | .. | digital cinema producer (uncredited) |
| Jim Passon | .. | color timer (uncredited) |
| Karenjit Sahota | .. | assistant editor: dailies (uncredited) |
Location Management
| Lori A. Balton | .. | location scout |
| Jo Beckett | .. | location manager |
| Joanna Beckett | .. | location manager |
| Carn Burton | .. | location scout: UK |
| Paola Cambo | .. | location manager: Puerto Rico |
| Doel Delgado | .. | location assistant |
| Lucy Foulds | .. | location coordinator |
| Colin Giles | .. | location security |
| Jonathan Green | .. | location assistant |
| Karen Greenlee | .. | location scout |
| Julie Hannum | .. | location manager: Los Angeles |
| Michael Harm | .. | location manager |
| Steve Harvey | .. | unit location manager |
| Jon Hills | .. | location security/support |
| Michael B. Louis | .. | key assistant location manager |
| David O'Reilly | .. | location scout: UK |
| Janice Polley | .. | supervising location manager |
| Sue Quinn | .. | location manager |
| Julia Renner | .. | location assistant |
| Lee Robertson | .. | unit location manager |
| Peter Rodbell | .. | location assistant |
| Paulina Salazar | .. | key assistant location manager |
| Lucas Saunal | .. | location assistant |
| Georgette Turner | .. | assistant location manager |
| Omar Alboukharey | .. | location marshal (uncredited) |
| Dani Rex-Byrd | .. | location marshall (uncredited) |
| Jesse Tunison | .. | location assistant (uncredited) |
Music Department
| Lindsay Ashworth | .. | singer |
| Bob Badami | .. | music supervisor |
| Thomas Bergersen | .. | composer: additional music |
| Phill Boucher | .. | technical music assistant |
| Tom Boyd | .. | oboe |
| Heather Cairncross | .. | singer |
| Chuck Choi | .. | score technical engineer |
| Dee Lewis Clay | .. | solo vocalist |
| Kevin Connolly | .. | musician |
| Grace Davidson | .. | solo vocalist |
| Alejandro de la Llosa | .. | orchestrator |
| Ann De Renais | .. | choir |
| Sandy DeCrescent | .. | orchestra contractor |
| Nick Delaplane | .. | technical score engineer |
| Michael Dore | .. | singer |
| Bruce Dukov | .. | violin |
| Matt Dunkley | .. | conductor: choir |
| Sam Estes | .. | sample development |
| Sarah Eyden | .. | singer |
| Cathleen Flynn | .. | Music Preparation |
| Joanna Forbes | .. | singer |
| Soophia Foroughi | .. | singer |
| Geoff Foster | .. | score engineer |
| Rick Giovinazzo | .. | orchestrator |
| Tom Gire | .. | composer: additional music |
| Nick Glennie-Smith | .. | conductor |
| Kevin Globerman | .. | digital score recordist |
| Gavin Greenaway | .. | choir conductor |
| Lili Haydn | .. | musician: vocal / singer and violinist |
| Scott Hosfeld | .. | musician |
| Bryce Jacobs | .. | musician / soundtrack |
| Kevin Kaska | .. | orchestrator |
| Brian Kilgore | .. | musician: percussion |
| Steven Kofsky | .. | music production services |
| Daniel Kresco | .. | score engineer |
| Mitchell Leib | .. | executive in charge of music |
| Katia Lewin Jablonsky | .. | music editor (as Katia Lewin Palomo) |
| Greg Loskorn | .. | scoring engineer |
| Joseph Magee | .. | production music mixer |
| Veigar Margeirsson | .. | composer: Trailer Music |
| Matthew Margeson | .. | composer: additional music |
| Louise Clare Marshall | .. | singer |
| Jon Mattox | .. | trailer music composer |
| Barbara McDermott | .. | music editor |
| Aaron Meyer | .. | music preparation |
| Alan Meyerson | .. | music scoring mixer |
| Melissa Muik | .. | music supervisor / supervising music editor |
| Nick Murray | .. | composer: Trailer Music |
| Ed Neumeister | .. | orchestrator |
| Daniel Nielsen | .. | composer: trailer music |
| Satoshi Mark Noguchi | .. | additional recording by |
| Nick Phoenix | .. | composer: additional music |
| Hila Plitmann | .. | solo vocalist (as Hila Plittman) |
| Assaf Rinde | .. | trailer composer |
| Rodrigo y Gabriela | .. | composer: additional music / musician: featured guitar performances |
| Peter Rotter | .. | orchestra contractor |
| Guillaume Roussel | .. | composer: additional music |
| Adam Schmidt | .. | sample development |
| Jacob Shea | .. | composer: additional music |
| John Sponsler | .. | composer: additional music |
| Matthew Rush Sullivan | .. | music consultant |
| James Thatcher | .. | musician: french horn |
| Martin Tillman | .. | musican: cello soloist |
| Rebecca Trehearn | .. | singer |
| Dave Wells | .. | music copyist |
| Christian Wenger | .. | assistant engineer |
| Eric Whitacre | .. | composer: additional music |
| Andrew Zack | .. | score coordinator |
| Geoff Zanelli | .. | composer: additional music: Spain theme, Mermaid attack, Jack's Escape (arranger), Fountain Of Youth revealed (arranger) (composer: additional music: Spain theme, Mermaid attack, Jack's Escape (arranger), Fountain Of Youth revealed (arranger)) |
| Monica Zierhut | .. | music production supervisor |
| Hans Zimmer | .. | composer: theme music / score producer |
| Mae Crosby | .. | music preparation (uncredited) |
| Aleksandar Dimitrijevic | .. | composer: trailer music (uncredited) |
| Jörg Hüttner | .. | additional recordist (uncredited) |
| Frank Macchia | .. | music preparation (uncredited) |
Transportation Department
| Darren Aitchison | .. | unit driver |
| Carl Bertelmann | .. | driver |
| Mike Boney | .. | driver |
| Anna Camenson | .. | driver: Hawaii |
| Julian Chapman | .. | unit driver: second unit |
| Clare Collingridge | .. | transportation coordinator |
| Phil Cote | .. | driver |
| Darren Cox | .. | production driver |
| Darren Dacosin | .. | driver: Hawaii |
| Liam Fellowes | .. | unit driver (as Liam Fellows) |
| Tim Fennel | .. | driver |
| James D. Fields | .. | transportation |
| Melina Frías | .. | transportation |
| Susan Gilhooly | .. | driver: Hawaii |
| Gerry Gore | .. | transportation captain |
| Alyssa Guzman | .. | unit driver |
| Ergun Halil | .. | unit driver |
| Bruce Hauer | .. | driver |
| Craig Hauer | .. | driver |
| Paul Hodge | .. | prop driver |
| Buck Holland | .. | driver |
| Lee Isgar | .. | driver: Geoffrey Rush |
| Carl Isherwood | .. | trailer driver: Mr Depp |
| Gary Jolly | .. | driver |
| Marc Kelly | .. | unit driver |
| Garry Kennett | .. | driver: UK |
| Shahin Moatazed' Keyvany | .. | unit driver |
| Ron Kunecke | .. | transportation captain |
| Stephen Lawrence | .. | unit driver |
| David Lewis | .. | driver |
| Jeff Lira | .. | driver |
| Anthony S. Loguzzo | .. | driver |
| Graeme Main | .. | driver: UK |
| Mark Mccarron | .. | transportation |
| Colin McDaid | .. | facilities manager |
| Mel Miranda | .. | driver: Hawaii |
| Gerald Mito | .. | driver: Hawaii |
| Pete Newman | .. | unit driver: UK shoot |
| Ekepati 'Masa' Niko | .. | driver: Hawaii |
| Cedric November | .. | driver: Hawaii |
| Shyrome Pahia | .. | driver |
| Douglas Parhao | .. | driver: Hawaii |
| Curtis Randoll | .. | driver |
| Dave Robling | .. | transportation coordinator |
| Josiuan Rojas | .. | transportation coordinator (puerto rico unit) |
| Kalei Santos | .. | driver |
| Kenneth Smith | .. | driver |
| David Sua | .. | driver: Hawaii |
| Tom Sweeney | .. | transportation dispatcher |
| Peter Trotman | .. | driver: cast (as Pete Trotman) |
| Bernard Turner | .. | unit driver |
| Randy Vasconcellos | .. | driver: Hawaii |
| Jeff Woodward | .. | transportation |
Other crew
| Andrew Ableson | .. | additional voices |
| Brianna Acosta | .. | mermaid prosthetic model |
| Tara Ahamed Tucker | .. | assistant: Mr. Oman (as Tara Ahamed) |
| Dayne Ahuna | .. | asst. craft service (Key Teddy Yonenaka) |
| Leif Akaji | .. | production assistant |
| Danny Albury | .. | assistant armorer: uk |
| Elliot Alfaro | .. | utility stand-in |
| Neil Andrea | .. | underwater unit |
| Victor Andujar | .. | production assistant |
| Cua-Cua Apey | .. | marine crew |
| Daniella Araya | .. | assistant: Ms. Cruz (as Daniella Wells) |
| John Arbuckle | .. | marine boat captain |
| Holly Asquith | .. | assistant accountant (as Holly Bates) |
| Lauren Astore | .. | office assistant |
| Anthony Baldino | .. | production assistant |
| Sonya Balmores | .. | photo double: Penelope Cruz |
| Mark Bankhead | .. | dailies assistant |
| Monica Barraza | .. | production coordinator: second unit |
| Anna Belaro-Rodriguez | .. | second assistant accountant |
| Barbara Berkery | .. | voice and dialogue coach |
| Jayda Berkmen | .. | photo double: Penelope Cruz (as Bobbi Berkmen) |
| Joe Biggs | .. | medic: construction/rigging |
| Christian Black | .. | stand-in |
| Martinio Bolger | .. | nurse: second unit |
| Valentina Borfecchia | .. | base camp runner |
| Ron Bottitta | .. | adr voice |
| Matthew Boyd | .. | additional set production assistant |
| John Brady | .. | craft service |
| Michael T. Brady | .. | marine: safety advisor |
| Diana Branch | .. | unit nurse |
| Ryan J. Brant | .. | photo double: johnny depp |
| Lauren Broderick | .. | production assistant |
| Cathleen Brown | .. | clearances |
| Judith M. Brown | .. | studio teacher |
| Megan Brown | .. | second assistant accountant (as Megan Brown) |
| Rocío García Bruckman | .. | production assistant: Puerto Rico |
| Vivian Bruckman | .. | set production assistant |
| Ronn Burner | .. | set production assistant: second unit |
| Jose Caballero | .. | assistant marine coordinator / marine coordinator assistant |
| Dougal Cadiou | .. | co-first assistant accountant |
| Erica Callas | .. | assistant: Mr. Waldman |
| Dan Camins | .. | assistant to producer |
| Karla Carnewal | .. | production assistant |
| Jami Chan | .. | assistant production coordinator |
| Jordan Charter | .. | production assistant |
| Felix Chen | .. | payroll accountant: second unit |
| Alexander Chiles | .. | production assistant |
| Hannah Chitty | .. | set production assistant: dailies |
| Diarmuid Coghlan | .. | construction accountant |
| Malcolm Connolly | .. | security: Mr. Depp |
| Mike Cooper | .. | production assistant |
| Cristian Cornejo | .. | stand-in |
| Chris Cortez | .. | medic |
| Nicholas Costello | .. | assistant: Mr. Bruckheimer |
| Ian Creed | .. | boat wrangler |
| Sam Creed | .. | stand-in |
| Gilberto Cruz | .. | office production assistant |
| Mónica Cruz | .. | body double: Penelope Cruz |
| Steve Cummings | .. | supervising armorer |
| Vivien Dale | .. | chef |
| Joyce Datiles | .. | production assistant |
| Carlos De Orduña | .. | set production assistant |
| Stephen Deuters | .. | assistant: Mr. Depp |
| Jason Devil | .. | set security |
| Court Dickert | .. | office production assistant |
| Joseph Dizon | .. | production assistant |
| Farnaz Donovan | .. | payroll accountant |
| Martin Dorsch | .. | production assistant |
| Robin Atkin Downes | .. | adr voice |
| Charlotte Draper | .. | set production assistant |
| Thomas DuPont | .. | sword master |
| Fiona Dwyer | .. | adr loop group |
| Angus Ellis | .. | environmental supervisor |
| Kelly Farrah | .. | armorer |
| Dennis Farrell | .. | stand-in |
| Denise Faye | .. | associate choreographer |
| Alastair Ferris-Leak | .. | production operations |
| Brendan Finnigan | .. | first assistant accountant |
| Jeff Fishman | .. | production assistant |
| Brendan Flaherty | .. | set production assistant |
| Tom Forbes | .. | assistant coordinator |
| Lorcan Fox | .. | stand-in |
| Dana Frankoff | .. | production assistant |
| Colter Freeman | .. | production assistant |
| Alex Frois | .. | runner |
| Dmitri Frolov | .. | assistant to executive producer: Jerry Bruckheimer |
| Jorge Garcia Castro | .. | Consultant |
| Sean Garcia | .. | production coordinator: Hawaii |
| Laura Gary | .. | studio teacher |
| Mary Beth Gentle | .. | staff coordinator |
| Micheal Gentry | .. | facilities assistant |
| Sonia González Riera | .. | set production assistant |
| Ray Gordon II | .. | environmental steward |
| José Granell | .. | visual effects supervisor: elements |
| Erin Rose Grindler | .. | second assistant accountant (as Erin Rose) |
| Thomas L. Gunderson | .. | head animal trainer |
| Charles Hambleton | .. | Marine Dept/Sailor |
| J. Hanna | .. | production assistant |
| Tyler Hardin | .. | researcher |
| Iona Harris | .. | unit facilities |
| Lee Nicholas Harris | .. | stand-in: Ian Merser |
| Samson Haveland | .. | key production assistant (as Sam Haveland) |
| Bernie Hearn | .. | charge hand stand-by propman |
| Kate Heckman | .. | production assistant |
| Angel Hernandez | .. | craft service |
| Paula Hind | .. | production secretary |
| Rebecca Hitch | .. | stand- in: Penelope Cruz |
| Alison Hoberman | .. | crafts service |
| Timothy Hodson | .. | production assistant |
| Patrick Holland | .. | character voices |
| Matthew Holloway | .. | assistant: mr. bruckheimer |
| Nathan Holmes | .. | assistant: Mr. Depp |
| Noa Mikala Howatt | .. | photo double: Robbie Kay |
| Lee Isgar | .. | assistant: Mr. Rush |
| Kemel Jamis | .. | production assistant |
| Kris A. Jeffrey | .. | marine / water safety |
| Jessica Jenkins | .. | swimmer: mermaid |
| Dan Johnson | .. | armorer |
| Jeremy Johnson | .. | production assistant |
| Sarah-Jayne Johnston | .. | production coordinator |
| Jerry Judge | .. | security: Mr. Depp |
| John Kearney | .. | horse wrangler |
| Heather Kehayas | .. | set production assistant: Los Angeles |
| Lauren Kenney | .. | assistant: Ms. Reid |
| Gabriel Kerlegand | .. | 3d workflows |
| Alex Kerr | .. | assistant accountant |
| Nathan Kimball | .. | production assistant |
| Shadow Peter Kingsley | .. | set production assistant |
| Titus Kinimaka | .. | boat captain |
| Jordan Kirkwood | .. | utility stand-in |
| Karen Kittleson | .. | animal trainer |
| Scott Koche | .. | set production assistant |
| Charlotte Kyle | .. | assistant: George Marshall Ruge |
| Charles Larcombe | .. | accounts trainee |
| Cameron Lawther | .. | additional set production assistant |
| Dana Ledoux Miller | .. | production assistant |
| Mela Lee | .. | adr voice replacement |
| Heidi Lewis | .. | second assistant accountant |
| Michael Lewis | .. | production controller |
| Candy Lind | .. | stand-in: Penelope Cruz (as Candy Tjarks) |
| Evan Liss | .. | medic |
| Kathy Lubinsky | .. | script supervisor: 2nd unit action |
| Paul G. Lyons | .. | assistant: Mr. Stenson (as Paul Lyons) |
| Krystal MacKnight | .. | production assistant / production assistant: Hawaii |
| Daniel F. Malone | .. | marine coordinator: on set |
| Christian Malouf | .. | second payroll accountant |
| Kenneth Manzoni | .. | boat captain |
| Phoebe Vale Markham | .. | base production assistant |
| Brad Dirk Martin | .. | boat captain |
| Mark D. Matthews | .. | set production assistant |
| Jonas C. Matz | .. | Safety |
| Sam May | .. | production assistant |
| Emily Mayson | .. | production assistant: underwater unit |
| Jacqui McBride | .. | assistant accountant |
| Dave McComb | .. | production accountant |
| Erin McCulloch | .. | assistant: Mr. Bruckheimer |
| Clay McEntire | .. | assistant to executive producer |
| Alex McEwan | .. | production assistant |
| Sarah McKaig | .. | script coordinator |
| Kerry Lyn McKissick | .. | script supervisor |
| Carmen Marie Colon Mejia | .. | office production assistant |
| Caroline Miller | .. | second assistant accountant |
| Tariq Mirza | .. | production legal |
| Carmen Montero | .. | body double: Penelope Cruz |
| Andy Moorer | .. | pre-visualization artist: Technical Director |
| Cerris Morgan-Moyer | .. | adr loop group |
| Steve Morphew | .. | stand-in: Geoffrey Rush |
| Brooke Nasser | .. | production assistant: Hawaii |
| Simon Newton | .. | photo double: Johnny Depp |
| Owen Nobuji | .. | production assistant: Hawaii |
| Ashley O'Bryant | .. | production assistant: additional photography |
| Shelly O'Mahony-Masso | .. | assistant: Mr. Waldman, UK (as Shelly O'Mahony) |
| Bill Oaks | .. | assistant accountant |
| Joanna Osborn | .. | production assistant |
| Kyle Otto | .. | production staff |
| Christian Otty | .. | additional set production assistant |
| Alina Papp | .. | set production assistant: second unit |
| Derek Patten | .. | production assistant |
| Jesse Peckham | .. | script coordinator: UK |
| Aaron Pelman | .. | set production assistant |
| Max Penner | .. | stereographer |
| Berenice Percival | .. | assistant: Mr. Stenson & Mr. Oman, UK |
| Diana Perko | .. | unit nurse |
| Justin Pollard | .. | historical consultant |
| Stockton David Porter | .. | production assistant: Hawaii |
| Bryant Powell | .. | utility stand in |
| William Preston | .. | production assistant |
| Kathryn Prince | .. | sculptor |
| Alan D. Purwin | .. | helicopter pilot |
| Ryan Paul Quayle | .. | horses (as Ryan Quayle) |
| Adam Rashbrook | .. | stage hand |
| Christopher L Reay | .. | production staff / runner: production |
| Darren Richardson | .. | adr voice artist |
| Jason Richardson | .. | production assistant |
| Caroline Roberts | .. | assistant: Mr. DeLuca |
| Michelle Roca | .. | additional set production assistant: second unit |
| Ronnie Rodriguez | .. | photo double: Johnny Depp |
| Vanessa Rodríguez Murphy | .. | set production assistant |
| Richard Rogan | .. | production assistant |
| Carrie Roslan | .. | marine office coordinator |
| Bob Ross | .. | stand-in for Ian McShane |
| Bruce A. Ross | .. | marine coordinator |
| Kevin Roy | .. | production assistant |
| Angie Ryan | .. | key second asst accountant |
| Kevin Ryan | .. | photo double: Ian McShane (as Kevin J. Ryan) |
| Matthew Sampson | .. | horse department supervisor |
| Shauna Sanders | .. | assistant production coordinator (as Shauna Moss) |
| Joelle-Lyn Sarte | .. | assistant production coordinator |
| Ashley Schmidt | .. | accounting clerk |
| Erica Schmidt | .. | payroll clerk |
| Alberto Seccarelli | .. | production assistant |
| Scott Sener | .. | stand-in: Mr Depp |
| Suzie Shearer | .. | production coordinator |
| Antonio Sifre | .. | legal services / tax credit consultant |
| Jason Simmonds | .. | assistant production office coordinator |
| Michael Singer | .. | unit publicist |
| Ross Slater | .. | rigger |
| Tom Smalley | .. | production assistant: Mr. Marshall, UK |
| Susan Lee Smith | .. | assistant: Mr. Elliott & Mr. Rossio |
| Priscilla Stafford | .. | production assistant |
| Joby Stephens | .. | epk assistant |
| Jason Steyaert | .. | production assistant |
| Ana Stichini | .. | assistant accountant |
| Jonjo Stickland | .. | marine crew |
| Julian Stone | .. | adr voice artist |
| Jason Suhrke | .. | set production assistant: second unit |
| Crispin Swayne | .. | technical advisor: military |
| Celeste Talaszek | .. | production accountant: UK |
| Brigham Taylor | .. | production executive |
| Michael Teixeira | .. | production assistant |
| Krishan Thaker | .. | production assistant |
| Katharine Tidy | .. | home economist |
| Sarah Townsend | .. | production assistant |
| Marc Turchin | .. | set production assistant |
| Gretel Twombly | .. | production coordinator |
| C. Clayton Ussery | .. | production assistant |
| Jill Vaupen | .. | travel coordinator |
| Eric Vega | .. | production coordinator: Puerto Rico |
| Paul Warren | .. | body double: Robbie Kay |
| Dan Webb | .. | water safety |
| Haydn Webb | .. | horsemaster |
| Jill Weiss | .. | production staff |
| Dominic Weisz | .. | armory modeller |
| Rachel Welch | .. | first assistant accountant |
| Alexander Hamilton Westmore | .. | production assistant |
| Chris Wiecking | .. | VTR Utility |
| Alex Rose Wiesel | .. | model for mermaids |
| Janet Willis | .. | tutor |
| Beverly Winston | .. | script supervisor: second unit |
| Rebecca Wolf | .. | payroll accountant |
| Darren C. Wong | .. | production assistant |
| Timothy Wood | .. | set production assistant: uk |
| Peter Woods | .. | shipping |
| Steve Wroe | .. | marine technician |
| Douglas Yates | .. | health and safety supervisor |
| Mark Yeager | .. | medic |
| Ryan Young | .. | production assistant |
| Garson Yu | .. | main titles |
| Brandon Zercher | .. | stand-in |
| Michael Zimmer | .. | executive associate: Mr. Marshall |
| Nacha Zurinaga | .. | assistant: Jerry Bruckheimer, Puerto Rico |
| Jhonny Zurita | .. | key set production assistant: uk |
| Jenny Clark | .. | runner (uncredited) |
| Jim Clubb | .. | animal trainer (uncredited) |
| Ben Haigh | .. | production assistant (uncredited) |
| Mert Kizilay | .. | title designer (uncredited) |
| Ryan Miningham | .. | travel coordinator (uncredited) |
| Christian John Murray | .. | locations lead hand (uncredited) |
| Pablo Paz | .. | production assistant (uncredited) |
| Natasha Phelan | .. | set production assistant (uncredited) |
| Jessica Townsend | .. | production assistant (uncredited) |
| Kealohilani Wallace | .. | production assistant (uncredited) |
Thanks
| Brian Cury | .. | special thanks |
| Mike Rizzuto | .. | thanks |
| Pirates of the Caribbean: On Stranger Tides | |
|---|---|
| Directed by | Rob Marshall |
| Produced by | Jerry Bruckheimer |
| Written by | |
| Based on |
|
| Starring | |
| Music by | Hans Zimmer |
| Cinematography | Dariusz Wolski |
| Edited by | |
Production companies | |
| Distributed by | Walt Disney Studios Motion Pictures |
Release date |
|
| 137 minutes[1] | |
| Country | United States |
| Language | English |
| Budget |
|
| Box office | $1.046 billion[3] |
Pirates of the Caribbean: On Stranger Tides is a 2011 American fantasyswashbuckler film, the fourth installment in the Pirates of the Caribbean film series and the follow-up to At World's End (2007). It is the first film in the series not to be directed by Gore Verbinski, being replaced by Rob Marshall. Jerry Bruckheimer again served as producer. It is technically a stand-alone sequel to the previous installments. In the film, which draws its plot loosely from the novel On Stranger Tides by Tim Powers, Captain Jack Sparrow (Johnny Depp) is joined by Angelica (Penélope Cruz) in his search for the Fountain of Youth, confronting the infamous pirate Blackbeard (Ian McShane). The film was produced by Walt Disney Pictures and released in the United States on May 20, 2011. It was the first film in the series to be released in the Disney Digital 3-D and IMAX 3D formats.
Writers Ted Elliott and Terry Rossio first learned of Powers's novel On Stranger Tides during the back-to-back production of Dead Man's Chest (2006) and At World's End, and considered it a good starting point for a new film in the series. Pre-production started after the end of the 2007–2008 Writers Guild of America strike, with Depp collaborating with the writers on the story design. Principal photography lasted for 106 days between June and November 2010, with locations in Hawaii, the United Kingdom, Puerto Rico and California. Filming employed 3D cameras similar to those used in the production of the 2009 film Avatar, and ten companies were involved with the film's visual effects. Following inflated production costs which ballooned the net budget to $379 million, the film is currently regarded as the most expensive film ever made.
On Stranger Tides broke many box office records and was the third highest-grossing film of 2011. It is the 31st highest-grossing film of all time worldwide when not adjusting for inflation. Reviews were mixed, with criticism for its screenplay, direction, excessiveness and lack of originality, but compliments for the acting, action sequences, musical score, visuals and the shorter runtime. A fifth film, titled Dead Men Tell No Tales, was released in 2017, and a sixth film is in development.
- 3Production
- 4Release
- 5Reception
- 5.1Box office
Plot[edit]
After a failed attempt to rescue his first mate, Joshamee Gibbs, in London, Captain Jack Sparrow is brought before King George II. The king wants Jack to guide an expedition to the Fountain of Youth before King Ferdinand and the Spanish Navy can locate it. Jack's old nemesis, Captain Hector Barbossa, now a privateer in service to the British Navy after losing his leg and ship, the Black Pearl, which he says was sunk, is heading the expedition.
Jack refuses the offer and escapes. He meets up with his father, Captain Teague, who warns Jack about the Fountain's rituals. Jack learns someone is impersonating him to recruit a crew to find the Fountain. The impostor is Angelica, Jack's former lover, and the daughter of the ruthless pirate Blackbeard, who practices voodoo magic and wields the mythical 'Sword of Triton' that controls his ship, the Queen Anne's Revenge. While Jack is shanghaied aboard Blackbeard's ship, Gibbs escapes execution by memorizing and destroying Jack's map showing the Fountain's location, forcing Barbossa to take him along.
Meanwhile, after a failed mutiny aboard the Queen Anne's Revenge, Jack is forced to guide the crew to the Fountain. Blackbeard seeks the Fountain's power to circumvent his predestined fatal encounter with a 'one-legged man', who happened to be Barbossa. Jack must find two silver chalices aboard Juan Ponce de León's missing flagship, the Santiago. The Fountain's water must simultaneously be drunk by two people from the chalices. Drinking from one chalice containing a mermaid's tear will extend life; the second person dies, their remaining years of life transferred to the other drinker. Jack also discovers that the Black Pearl was captured and shrunk before being added to Blackbeard's collection of other shrunken ships in bottles.
The Queen Anne's Revenge heads for Whitecap Bay to find and harvest mermaid tears. After managing to lure in a mermaid named Tamara, she summons other mermaids to attack the crew before Jack causes an explosion that scares them away. A mermaid named Syrena is caught, but Philip Swift, a captive missionary, falls in love with her. Reaching Ponce de León's ship on an uncharted island, Angelica and Blackbeard coerce Jack into retrieving both chalices. Jack locates the grounded, decaying vessel, only to find Barbossa there. Both guess that the Spanish have taken the chalices, after they are nowhere to be found on the vessel.
Jack and Barbossa team up to sneak into the Spanish camp and steal the chalices. Barbossa reveals he only wants revenge against Blackbeard for attacking the Black Pearl, and his leg being amputated. Jack and Barbossa escape with the chalices. Meanwhile, Syrena, reciprocating Philip's love, is tricked into shedding a tear. Blackbeard collects it, leaving her to die of dehydration while Philip is forced to go with them. Jack returns with the chalices and bargains with Blackbeard for Angelica's safety, Jack's confiscated magical compass (which they took from him before sending him to get the chalices), and Gibbs' release. In return, Jack vows to give Blackbeard the chalices and lead him to the Fountain; Blackbeard agrees, and Gibbs is set free with the compass.
At the Fountain, Blackbeard's crew is confronted by Barbossa and his men and they battle while Barbossa and Blackbeard fight. The Spanish suddenly arrive, intending to destroy the Fountain, believing its power an abomination against God. They crush the chalices and throw them in the swamp. When Barbossa stabs Blackbeard with a poisoned sword, Angelica pulls it out but is cut and poisoned. Jack notices Angelica is poisoned and begins frantically searching the swamp for the chalices. Barbossa obtains Blackbeard's magic sword and gains control of the Queen Anne's Revenge and her crew. Despite resistance from Blackbeard's crew, the Spanish successfully pull down a pillar, crushing the Fountain of Youth. The Spanish army leaves once the fountain is in ruins. Philip is mortally wounded, but he returns to free Syrena. She helps Jack retrieve the missing chalices and gives them to him, telling him not to waste her tear. Syrena goes back to the dying Philip. She says she can save him if he asks her to. When he asks for her forgiveness, she kisses him and takes him underwater.
With Blackbeard and Angelica both nearing death, Jack retrieves the last remaining drops of water from the destroyed fountain and puts the tear in one of them. Knowing that one of them must be sacrificed, he wants Angelica to drink from the chalice containing the tear. Instead, Blackbeard drinks it, asking his daughter to save him. Angelica agrees and drinks from the second chalice. Jack is upset to lose Angelica, but reveals that he made a mistake about which chalice contained the tear. Neither of the two are happy, and they both believe Jack deliberately tricked them. Angelica's wounds are healed as the Fountain fatally consumes Blackbeard's body, killing him.
Eventually, Jack and Angelica admit their love for each other, yet he distrusts her intentions (aware that she may try to avenge her father) and strands her on a cay. Now wielding Blackbeard's magical sword, Barbossa captains the Queen Anne's Revenge and returns to piracy. Jack finds Gibbs, who had used the compass to locate the Revenge. He reclaims the shrunken Black Pearl and the other conquered ships in bottles, carrying them in a gunny sack. The two leave, hoping to revert the Black Pearl to its original size and continue living the pirates' life.
In a post-credits scene, a voodoo doll of Jack crafted by Blackbeard washes ashore and is found by Angelica, who then smiles.
Cast[edit]
- Johnny Depp as Captain Jack Sparrow: Former captain of the Black Pearl.
- Penélope Cruz as Angelica: Jack's former love interest, and daughter of Blackbeard.
- Geoffrey Rush as Captain Hector Barbossa: Jack's former-rival-turned-ally, and former captain of the Black Pearl.
- Ian McShane as Blackbeard: Legendary pirate, and captain of the Queen Anne's Revenge.
- Kevin McNally as Joshamee Gibbs: Jack's friend, and former first mate.
- Sam Claflin as Philip Swift: A missionary, kept prisoner aboard Blackbeard's ship.
- Àstrid Bergès-Frisbey as Syrena: A mermaid captured by Blackbeard, and love interest of Swift.
- Stephen Graham as Scrum: A self-serving member of Blackbeard's crew.
- Greg Ellis as Lt. Cmdr. Theodore Groves: Barbossa's second-in-command, former second-in-command of Cutler Beckett and James Norrington's crew.
- Damian O'Hare as Lt. Gillette, Barbossa's third-in-command, former second-in-command of James Norrington.
- Óscar Jaenada as The Spaniard: King Ferdinand's most trusted agent.
- Richard Griffiths as King George II
- Keith Richards as Captain Edward Teague: Jack's father, former Pirate Lord of Madagascar, and keeper of the code of the Bretheren Court.
- Gemma Ward as Tamara: A mermaid.
- Judi Dench as Society Lady
- Ian Mercer as the Quartermaster: A psychic who foresees Blackbeard's death.
- Robbie Kay as the Cabin Boy
- Christopher Fairbank as Ezekiel
- Yuki Matsuzaki as Ghareg
- Bronson Webb as The Cook
- Steve Evets as Purser
- Derek Mears as the Master-at-Arms
- DeObia Oparei as the Gunner
- Sebastian Armesto as King Ferdinand of the Spanish Empire
- Anton Lesser as Lord John Carteret, Viscount Carteret, Baron Carteret of Hawnes, 2nd Earl of Granville
- Roger Allam as Prime MinisterHenry Pelham
- Paul Bazely as Salaman: An Indian crew member of the Queen Anne's Revenge
Production[edit]
Development[edit]
Shortly before the premiere of At World's End, Jerry Bruckheimer stated it was the end of the trilogy, but the idea of a spin-off was still possible.[4] After the film's successful opening weekend, Dick Cook, then Chairman of the Walt Disney Studios, said he was interested in a fourth installment. Los Angeles Times also reported that rights to a book were bought.[5]Ted Elliott and Terry Rossio had started working on a script in 2007, but they were interrupted by the 2007–2008 Writers Guild of America strike, and only resumed in mid-2008.[6]
In June 2009, Bruckheimer indicated Disney would prefer the fourth installment of Pirates to be released before The Lone Ranger film, which he, Johnny Depp, Ted Elliott, and Terry Rossio had been working on for release on May 20, 2011. He hoped Gore Verbinski would return to direct the fourth film, as his BioShock film adaptation had been put on hold.[7] As Verbinski was unavailable due to his commitment with Rango the same year, Bruckheimer suggested Rob Marshall, who he considered a 'premiere filmmaker', stating that 'Every film [Marshall] made I thought was unique and different.'[8] On July 21, 2009, Marshall accepted the job, because of the 'whole new story line and set of characters. It felt new, and that was important to me.'[6] Marshall said the film provided him a long-awaited opportunity to work with Depp, and that his directing was helped by his experience as a choreographer—'the action sequences felt like big production numbers.'[9] On September 11, 2009, at Disney's D23 convention during a Disney event, Cook and Johnny Depp, in full Captain Jack Sparrow costume, announced that a fourth Pirates film was in development. The title was announced as Pirates of the Caribbean: On Stranger Tides.[10] Marshall visited the Pirates of the Caribbean ride in Disneyland for inspiration, eventually paying homage with a skeleton holding a magnifying glass in Ponce de León's ship. An appearance of 'Old Bill', the pirate who tries to share his rum with a cat, was also filmed but cut.[11]Pintel and Ragetti were originally supposed to make an appearance, but director Rob Marshall opted out of the idea as he feared their roles would be cut.[12]
Cook resigned in September 2009 after working for Disney for over 38 years.[13] Depp's faith in Pirates of the Caribbean: On Stranger Tides was somewhat shaken after the resignation, with Depp explaining that 'There's a fissure, a crack in my enthusiasm at the moment. It was all born in that office'.[14] Depp also explained Cook was one of the few who accepted his portrayal of Jack Sparrow: 'When things went a little sideways on the first Pirates movie and others at the studio were less than enthusiastic about my interpretation of the character, Dick was there from the first moment. He trusted me'.[14]
Writing[edit]
During production of Dead Man's Chest and At World's End, writers Ted Elliott and Terry Rossio discovered Tim Powers's 1987 novel On Stranger Tides, which they considered a good foundation on which to base 'a new chapter' in the Pirates series.[8] Disney bought the rights to the novel in April 2007.[15] Rossio stated that he and Elliot had considered using Blackbeard and the Fountain of Youth in the story before reading the book, 'but whenever you say those words, Powers's novel comes to mind. There was no way we could work in that field without going into territory Tim had explored.' However, they denied that it would be a straight version of the novel: 'Blackbeard came from the book, and in the book there is a daughter character, too. But Jack Sparrow is not in the book, nor is Barbossa. So I wouldn't call this an adaptation.'[6] Rossio declared the script was written to be a standalone film, 'kind of a James Bond sort of thing', instead of the 'designed to be a trilogy' structure of the previous installments.[16] They hoped to 'design a story that would support new characters,' as characters such as Will Turner would not return.[17] Bruckheimer added that there was a decision to 'streamline the story a little bit, make it a little simpler and not have as many characters to follow', as the number of characters and subplots in At World's End caused the film to have an unwieldy length.[8] The duo decided to employ another sea myth alluded in the previous episodes: mermaids,[16] which are briefly referenced in the book. The mermaids' role expanded in the script, which included a vast attack sequence.[17]
Depp was deeply involved with the story design, frequently meeting the writers to show what he was interested in doing, and in the words of Rossio, being 'involved in coming up with story lines, connecting characters, creating moments that we would then fashion, shape and then go back.'[16] Among Depp's suggestions were turning Phillip into a missionary and having a Spanish contingent following the protagonists. Afterwards, Rob Marshall and executive producer John DeLuca met Rossio and Elliot, and did alterations of their own, including building the female lead.[17]
Casting[edit]
Depp signed on to return as Captain Jack Sparrow in September 2008, saying that he would come back if the script was good.[18] Almost a year later, Disney announced that Depp would be paid $55.5 million for his role, realizing that without him the franchise would be 'dead and buried.'[19]Geoffrey Rush expressed interest in returning to his role as Barbossa,[20] and Bruckheimer later confirmed his presence.[21] Rush was positive on Barbossa having lost a leg, as he considered the disability made him 'angrier, more forceful and resilient as a character', and had to work with the stunt team for an accurate portrayal of the limp and usage of crutch, particularly during sword fighting scenes.[22] While the production team considered a prop pegleg to be put over Rush's leg, the tight schedule caused it to be replaced with a blue sock that was replaced digitally, with a knob on the shoe to give Rush a reference for his walk.[23] Three other actors from the previous films returned, Kevin McNally as Joshamee Gibbs, Greg Ellis as Lt. Theodore Groves,[24] and Damian O'Hare as Lt. Gilette.[25]Keith Richards also had a cameo, reprising his role as Captain Teague from At World's End; he and Depp tried to persuade Mick Jagger to audition for the part of a pirate elder.[26] Previous cast members Orlando Bloom and Keira Knightley stated that they would not reprise their roles, as they wanted to be involved in different films. They both thought the storyline involving their characters had gone as far as it could.[27][28][29] On August 1, 2009, Bill Nighy expressed his desire to return as Davy Jones, who died in the previous film, saying the possibility to resurrect the character, but at the end, his inclusion was scrapped.[30][31] On February 5, 2010, Mackenzie Crook also announced he would not be reprising his role of Ragetti, stating, 'They haven't asked me. But actually I don't mind that at all. I'm a fan of the first one especially and I think the trilogy we've made is great. I'd almost like them to leave it there.'[32]
New cast members include Ian McShane, who plays the notorious pirate and primary antagonist of the film, Blackbeard, and Penélope Cruz, who plays Angelica, Jack Sparrow's love interest.[21] According to Marshall, McShane was chosen because 'he can play something evil but there's always humor behind it as well' and the actor accepted the job due to both the 'very funny and charming' script and the opportunity to work with Marshall.[33] The beard took one hour and a half to get applied, and McShane likened the character's costume to 'a real biker pirate—it's all black leather.”[34] Marshall said Cruz was the only actress considered for the role, as she fit the description as 'an actress who could not only go toe to toe with Johnny and match him, but also needed to be all the things that Jack Sparrow is in a way. She needed to be funny and clever and smart and crafty and beautiful',[9] and invited her for the role as they wrapped the production of Nine.[23] The actress spent two months working out and learning fencing for the role.[35] During filming, Cruz discovered she was pregnant, leading the costume department to redesign her wardrobe to be more elastic,[23] and the producers to hire her sister Mónica Cruz to double for Penélope in risky scenes.[36] Depp recommended Stephen Graham, who worked with him in Public Enemies, to play Scrum, a Machiavellian pirate and sidekick to Jack Sparrow,[37][38] and Richard Griffiths for the role of King George II, as Depp was a fan of Griffiths' work on Withnail and I.[23]Sam Claflin, a recent drama school graduate with television experience, was chosen to play the missionary Philip,[39] and British actor Paul Bazely also joined the cast.[40] Spanish news website El Pais reported that the film had four Spanish actors: Cruz, Bergès-Frisbey, Óscar Jaenada, and Juan Carlos Vellido.[41] Jaenada was picked for both his work in The Losers and a recommendation by Cruz.[42]
Casting for mermaids required the actresses to have natural breasts—no implants. As Bruckheimer explained to EW, 'I don't think they had breast augmentation in the 1700s, [..] So it's natural for casting people to say, 'We want real people.'[43] Marshall invited Spanish-French actress Àstrid Bergès-Frisbey to play Syrena after seeing her in a French magazine article on up-and-coming actresses.[22] Bergès-Frisbey had to take lessons of English, swimming and breath control for the role.[44] The rest of the mermaid portrayers, such as Australian supermodel Gemma Ward,[45] were chosen for having 'exotic sense, an otherworldly sensibility, but also under those layers a deadly quality', according to Marshall, and had to take swimming lessons to learn movements such as the dolphin and eggbeater kicks.[46]
Filming[edit]
Principal photography began on June 14, 2010, in Hawaii.[17][47] Filming was moved to California in August 2010,[48] primarily at the Long Beach shore[33] and a recreation of Whitecap Bay done in the Universal Studios backlot,[17] as the original Hawaiian location on Halona Cove was plagued with strong tides.[22] After a brief shoot in Puerto Rico,[33] with locations in both Palomino Island and the Fort of San Cristóbal in San Juan,[49] production moved to the United Kingdom in September, where principal photography wrapped on November 18 after 106 days of shooting.[17] Locations included Hampton Court Palace in London,[23]Knole House in Kent,[33] and Old Royal Naval College at Greenwich.[50] Interiors were shot at London's Pinewood Studios, and a replica of an 18th-century London street was built on the backlot alongside the soundstages.[33][51] The producers also considered using New Orleans as a location.[52] In October, security was breached at the UK site when a celebrity impersonator gained access to filming at the Old Royal Naval College by dressing up as Captain Jack.[53]
After the joint production of Dead Man's Chest and At World's End cost over $300 million, Disney decided to give a lower budget to the fourth installment.[54] Many costs had to be cut, including moving primary production to Hawaii and London, where tax credits are more favorable, and having a shorter shooting schedule and fewer scenes featuring special effects compared to At World's End.[55] The tighter schedule—according to Bruckheimer, 'We had a 22-week post, and for a picture like this, with almost 1,200 visual effects shots, it's usually 40 weeks'—meant that Marshall supervised editing of sequences during filming.[17] The British financial statements of the film revealed total expenditures of £240.7 million ($410.6 million) by 2013, with Disney receiving a rebate of $32.1 million from the British government, making Pirates of the Caribbean: On Stranger Tides the most expensive film ever made to date.[2]
Bruckheimer said the decision to film in 3D was made due to its being 'immersive filmmaking; I think it makes you part of the actual filming because you're part of the screen.' Bruckheimer described it as the first major 'exterior movie' to be shot in 3D, as Avatar was mostly done in sound stages.[8] At first Marshall was not much interested in 3D, but the director eventually considered it a film that could benefit from the format. 'You are on an adventure and with the 3D experience you are inside that adventure.'[9] While the original plan was to add 3D effects during post-production, the decision was made to shoot digitally with 3D cameras. Only one sequence was shot conventionally and needed a 3D conversion.[8] The cameras were improved versions of the ones James Cameron developed for Avatar, which were made more compact for extra mobility. This meant the cameras could be brought into locations such as the Hawaiian jungle.[56]
Queen Anne's Revenge was built atop Sunset, the same ship used to depict Black Pearl in previous installments. In February 2010, Sunset was sailed from Long Beach to a shipyard in Hawaii for the reforms, where a big concern was to make it imposing, with three stories, without sacrificing actual seakeeping. Given Blackbeard was meant to be the meanest pirate to appear in the series, the look for Queen Anne's Revenge was ominous, with sails dyed blood red, various elements on fire, and a decoration based on skulls and bones (drawing inspiration from the Sedlec Ossuary in Czech Republic). Damage from cannon fire was also added to show that 'not only Blackbeard was a dying man, but his ship is also a dying ship'. The ship's figurehead also drew inspiration from Blackbeard's pirate flag.[57] The replica ship HMS Surprise was used for Barbossa's ship, HMS Providence,[58] and all the scenes aboard Providence were shot on the Long Beach shore as Surprise could not be sailed to Hawaii.[23] Over 50 designs were considered for the Fountain of Youth, with the final one representing a temple built by an ancient civilization around the Fountain, which itself was located in a round rocky structure to represent 'the circle of life'. The locations leading up to the Fountain were shot in the Hawaiian islands of Kauai and Oahu, but the Fountain itself was built at the 007 Stage on Pinewood.[59]
Effects[edit]
On Stranger Tides employed 1,112 shots of computer-generated imagery,[17] which were done by ten visual effects companies.[60]Cinesite visual effects supervisor Simon Stanley-Clamp claimed that the most difficult part was doing the effects in 3D: 'Rotoscoping is tricky. Cleaning up plates is double the work, and tracking has to be spot on.'[50] The lead companies, with over 300 effects each, were Industrial Light & Magic—responsible for, among others, the mermaids and most water effects[61]—and Moving Picture Company, who created digital ships and environment extensions, such as changing weather and designing cliffs and waterfalls.[62] Filming the mermaids involved eight model-actresses, who portrayed them outside the water, as well as 22 synchronized swimming athletes and a group of stuntwomen, both of whom wore motion capture suits to be later replaced by digital mermaids. Mermaid corpses were depicted by plaster models.[33][46] The design tried to avoid the traditional representations of mermaids in paintings and literature, instead going for a scaly body with a translucent membrane inspired by both jellyfish and the fabric employed in ballet tutus. To make the mermaids more menacing underwater, the faces of the actresses had some digital touch-ups on the underwater scenes, adding sharper teeth and a shimmery fish scale quality on the skin.[63] ILM also handled Blackbeard's death, where Ian McShane's actual performance was covered by digital doubles which turned him into a 'boiling mass of blood and clothing', and a hurricane-like formation that represented 'the waters of the Fountain taking his life'.[59] Cinesite handled the recreation of London and Barbossa's peg leg,[50] CIS Hollywood did 3D corrections and minor shots, and Method Studios created matte paintings.[64]
Music[edit]
The film's score was written by Hans Zimmer, who had worked in all of the previous entries in the franchise; being the main composer for the second and third installments.[65] Zimmer said that he tried to incorporate a rock n' roll sound, as he felt 'pirates were the rock 'n' rollers of many, many years ago',[66] and Spanish elements, which led to a collaboration with Mexican guitarists Rodrigo y Gabriela and a tango song written by Penélope Cruz's brother Eduardo.[67] American composer Eric Whitacre contributed several choir-based cues,[67][68] as well as regular assistant Geoff Zanelli.[65]
Release[edit]
On January 6, 2010, Disney announced that the film would be released in the United States and Canada on May 20, 2011, following Columbia Pictures' announcement of a delay in the Spider-Man reboot and Paramount Pictures slating Thor for May 6, 2011.[69] The film was released in IMAX 3D, as well as traditional 2D and IMAX format,[70][71] with Dolby 7.1 surround sound.[72] This film was also the first film to be released in the 4DX motion theaters in Mexico and in the Western Hemisphere, featuring strobe lights, tilting seats, blowing wind and fog and odor effects.[73] It is available exclusively at select Cinépolis cinemas.[74]
The world premiere of On Stranger Tides was on May 7, 2011, at a premium ticket screening at Disneyland in Anaheim, California, home of the original Pirates of the Caribbean ride that inspired the film series. Many of the film's stars were in attendance. Two other early screenings followed, one in Moscow on May 11,[75] and another during the Cannes International Film Festival on May 14.[76] The international release dates fell within May 18 and 20, with opening dates in the United Kingdom on May 18, in Australia on May 19, and in North America on May 20.[77][78][79][80] The film was released on a then-record 402 IMAX screens, 257 screens in North America, and 139 in other territories.[81] The total number of theaters was 4,155 in North America and 18,210 worldwide.[82][83]
Promotion[edit]
Disney's marketing president, MT Carney, said that the film's advertising campaign was intended 'to remind people of why they fell in love with Jack Sparrow in the first place and also introduce new elements in a way that was elegant'.[17]Sony Pictures' former marketing president, Valerie Van Galder, was hired as a consultant.[84] The first footage from the film appeared on Entertainment Tonight on December 4, 2010.[85] Three trailers were released,[17] one in December, which had a 3D version included with the release of Tron: Legacy[71] and broadcast by ESPN 3D;[86] a Super Bowl XLVspot on February 2011, which was later released online in an extended version;[87] and a final trailer in March that focused more on the plot than the previous trailer and commercials.[88]
Promotional tie-ins included Lego Pirates of the Caribbean toy sets and a related video game,[89][90] a cell phone app by Verizon Wireless,[91] a special edition of Pirate's Booty,[92] lines of nail polish by OPI,[93] clothing from Hot Topic,[94] and jewelry from Swarovski.[95]Goldline International produced replicas of the 'Pieces of Eight' coins from the movies and gold Mexican Escudo coins, which were given in sweepstakes at the El Capitan Theatre.[96] At Disney California Adventure Park, the Pirates of the Caribbean segment of the World of Color show was extended to include visual clips and music from On Stranger Tides.[97]
Home media[edit]
The film was released on DVD and Blu-Ray on September 12, 2011 in the UK, topping both the Blu-ray and DVD sales charts during its first two weeks. The film had its high-definition home release on October 18, 2011 in the United States and Canada. Three different physical packages were made available: a 2-disc combo pack (Blu-ray and DVD), a 5-disc combo pack (2-disc Blu-ray, 1-disc Blu-ray 3D, 1-disc DVD, and 1-disc Digital Copy), and a 15-disc collection featuring all four Pirates movies. On Stranger Tides was also released as a movie download in both high definition and 3D.[98][99][100] The regular DVD edition came out on December 6.[101]
In its first week of release, it sold 1.71 million Blu-ray units and generated $48.50 million, topping the weekly Blu-ray chart. However these results were quite skewed due to the one-month delay of its DVD-only release.[102] It sold 3.20 million Blu-ray units ($83.46 million) after 11 weeks.[103] It has also sold 1.12 million DVD units ($19.32 million).[104] Upon its television premiere on December 29, 2013 in the UK on BBC One, it was watched by a total of 5.4 million viewers, making it the third-most watched program that night, according to overnight figures.[105]
Reception[edit]
Box office[edit]
On Stranger Tides earned $241.1 million in the North America and $804.6 million in other countries for a worldwide total of $1.045 billion.[106] It is the 23rd highest-grossing film worldwide, the third-highest-grossing 2011 film, the second-most successful installment of the Pirates of the Caribbean series, the eleventh-highest-grossing Disney feature and the fourth highest-grossing fourth film in a franchise (behind Avengers: Endgame, Jurassic World and Transformers: Age of Extinction).[107] On its worldwide opening weekend, it grossed $350.6 million, surpassing At World's End's $344 million opening as best in the series and ranking as the seventh-highest worldwide opening.[108] It scored an IMAX worldwide opening-weekend record with $16.7 million[109] (first surpassed by Transformers: Dark of the Moon).[110]
It set records for the least time to reach $500, $600, and $700 million worldwide (in 10, 12 and 16 days, respectively).[111][112][113] The first of these records was first surpassed by Dark of the Moon[114] and the other two by Harry Potter and the Deathly Hallows – Part 2.[115] After 46 days in theaters (July 2, 2011), it became the eighth film in cinema history and the fourth film released by Walt Disney Studios to cross the $1-billion-mark.[116] It set a record for the fastest Disney-distributed film to reach the milestone (first surpassed by Marvel's The Avengers)[117] and it is the fifth-fastest film overall to achieve this.[118]
North America[edit]
During its Thursday-midnight showings, On Stranger Tides earned $4.7 million from 2,210 theaters,[119] and $34,860,549 in total on its opening day.[120] It earned $90.2 million on its opening weekend, topping the weekend box office, but earning much less than its two immediate predecessors (At World's End – $114.7 million and Dead Man's Chest – $135.6 million) and the directly preceding Johnny Depp spectacle (Alice in Wonderland – $116.1 million).[121] 3D showings accounted for only 46% of its opening-weekend gross.[122] It closed on September 29, 2011, with a $241.1 million gross, ranking as the fifth-highest-grossing film of 2011[123] and the least profitable film of the franchise.[124] However, it was the top-grossing movie during May 2011 (with $166.8 million by May 31).[125]
Outside North America[edit]
Outside North America, On Stranger Tides is the sixth-highest-grossing film,[126] the third-highest-grossing Disney film,[127] the second-highest-grossing 2011 film and the highest-grossing film of the Pirates of the Caribbean series.[128] It is the highest-grossing Pirates film in at least 58 territories.[116]
During its opening day (Wednesday, May 18, 2011), On Stranger Tides made $18.5 million from 10 territories.[129] It added 37 territories and $25.7 million on Thursday, for a two-day total of $44.2 million,[130] and on Friday, it expanded to almost all countries, earning $46.2 million for a three-day total of $92.1 million.[131] On its five-day opening weekend as a whole, it earned a then-record $260.4 million from 18,210 screens in more than 100 territories, in all which it reached first place at the box office.[132] The record debut was surpassed later in the same summer season by Deathly Hallows Part 2.[133] Earnings originating from 3-D showings accounted for 66% of the weekend gross, which was a much greater share than in North America.[122] Its highest-grossing countries during its first weekend were Russia and the CIS ($31.42 million including previews),[134] China ($22.3 million)[135] and Germany ($20.53 million).[136][137] It dominated for three weekends at the overseas box office despite competition from The Hangover Part II, Kung Fu Panda 2, and X-Men: First Class.[138][139] It reached the $300, $400 and $500-million-mark at the box office outside North America in record time (7, 11 and 14 days respectively), records first surpassed by Deathly Hallows – Part 2.[116][140][141]
On Stranger Tides set opening day records in both Russia (including the CIS) and Sweden.[129] Subsequently, it set opening-weekend records in Latin America, the Middle East, Russia, Norway, Ukraine and Turkey,[83] still retaining the record in Russia ($26.8 million)[142] and Ukraine ($2.15 million).[143] Its highest-grossing market after North America is Japan ($108.9 million), followed by China ($71.8 million)[144] and Russia and the CIS ($63.7 million).[145] It is the highest-grossing film of 2011 in Russia and the CIS,[146] Austria,[147] Ukraine,[148] Greece,[149] Portugal and Angola,[150] South Africa,[151] Romania,[152] Bulgaria,[153] Egypt,[154] Estonia,[155] and Latvia.[145][156]
Critical reception[edit]
Review aggregation website Rotten Tomatoes gives the film an approval rating of 33% based on 259 reviews, with an average rating of 5/10. The site's critical consensus reads, 'It's shorter and leaner than the previous sequel, but this Pirates runs aground on a disjointed plot and a non-stop barrage of noisy action sequences.'[157]Metacritic, which assigns a weighted average rating to reviews, gives the film an average score of 45 out of 100, based on 39 critics, indicating 'mixed or average reviews'.[158]CinemaScore polls reported that the average grade moviegoers gave the film was a 'B+' on an A+ to F scale.[82]
Roger Ebert gave On Stranger Tides two out of four stars, saying that although the removal of Knightley and Bloom as well as the addition of Cruz were positive aspects, the film in general was 'too much of a muchness' for him.[159] Tom Long of The Detroit News gave a D+, saying that Jack Sparrow had 'worn out his welcome'. Despite the more linear plot, 'the movie is still ridiculous'. He found On Stranger Tides to be 'precisely what you'd expect of the fourth installment of a movie based on an amusement park ride: a whole lot of noise, plenty of stunts and complete silliness.'[160] British film critic Mark Kermode gave the film an overwhelmingly negative review on his 5 Live show, saying 'it's not as staggeringly misjudged as the third part, because it is just nothing, it is just a big empty nothing, whereas part three I think was an active atrocity, it's just nothing at all'.[161]
As with the previous films, the plot was criticized as incoherent and confusing. The Arizona Republic critic Bill Goodykoontz rated the film two out of five, stating that 'the movie is a series of distractions tossed together in the hopes that they will come together in a coherent story. That never really happens.'[162] Online reviewer James Berardinelli considered the script 'little more than a clothesline from which to dangle all of the obligatory set pieces',[163] and USA Today's Claudia Puig found On Stranger Tides 'familiar and predictable..often incoherent and crammed with pointless details.'[164]
Mike Scott from The Times-Picayune mentions that 'while this latest chapter isn't quite sharp enough to restore the sense of discovery that made that first outing so darn exciting, it's enough to make up for most of the missteps that made the third one so darn arrgh-inducing.'[165] Writing for The A.V. Club, Tasha Robinson described On Stranger Tides as 'a smaller film than past installments, by design and necessity', and felt that 'the series has needed this streamlining' as the film 'feels lightweight, but that's still better than bloated.'[166]
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On Stranger Tides also had positive reviews; some critics found the film to be entertaining and well-made. Richard Roeper gave the film a B+, describing it as 'the most fun installment since the first', calling the story 'pure cartoon, but a lot easier to follow than the other sequels', and summing as 'the franchise is getting tired, but Penelope energizes it.'[167] Along the same lines, Ann Hornaday of The Washington Post gave the film three out of four stars, writing that it 'feels as fresh and bracingly exhilarating as the day Jack Sparrow first swashed his buckle, infusing new reckless energy into a franchise that shows no signs of furling its sails'. She said that Marshall 'swiftly and without fuss delivers the action set pieces and eye-popping escapism' and praised Depp, Cruz, and McShane's performances.[168] Ray Bennett from The Hollywood Reporter considered that Marshall 'shows terrific flair with all the usual chases and sword fights, and he handles the 3D well', and welcomed Penélope Cruz's character, saying she 'brings her Oscar-winning vivacity' and had 'lively sexual tension' with Depp.[169] Writing for The Globe and Mail, Rick Groen found the action scenes to range from 'merely competent to tritely cluttered', but he was pleased with the overall result, calling McShane a 'fresh villain' whose 'stentorian tones are welcome anywhere'.[170]Variety's Andrew Barker considered the film derivative, but accessible. 'It has nary an original idea and still doesn't make much sense, but it's lost all pretensions that it should'. He praised Geoffrey Rush, stating that he 'not only gets the funniest lines and reaction shots, but also starts to siphon away much of the roguish charm that used to be Depp's stock and trade.'[168]
Accolades[edit]
The film was nominated for four Teen Choice Awards: Sci-Fi/Fantasy Movie, Sci-Fi/Fantasy Actor, Sci-Fi/Fantasy Actress, and Villain.[171] Its trailer and TV spot were nominated for Golden Trailer Awards.[172] The film won Best Movie for Mature Audiences Award at the 2012 Movieguide Awards.[173]
Sequel[edit]
The fifth installment in the franchise, Pirates of the Caribbean: Dead Men Tell No Tales, was directed by Kon-Tiki directors Joachim Rønning and Espen Sandberg,[174][175] and released in May 2017.
See also[edit]
References[edit]
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External links[edit]
| Wikiquote has quotations related to: Pirates of the Caribbean: On Stranger Tides |
- Pirates of the Caribbean: On Stranger Tides on IMDb
- On Stranger Tides title listing at the Internet Speculative Fiction Database
- Pirates of the Caribbean: On Stranger Tides at Box Office Mojo
- Pirates of the Caribbean: On Stranger Tides at Rotten Tomatoes
- Pirates of the Caribbean: On Stranger Tides at Metacritic